That would be easy, but not cheap. It would be a lot cheaper to just replace the few bad parts on existing boards. Most modern electronic components have life spans in the hundreds of years if taken proper care of. The exceptions are potentiometers, switches, motors, or anything else with moving parts. Also, electrolytic capacitors and battery compartments tend to fail either due to fluid leakage or fluid drying out. Building whole new boards on a non-industrial scale would be very time consuming and expensive. So there's little motivation to make a whole bunch of drop-in replacements.
I've repaired hundreds, if not thousands of electronic boards in my life (many inside cameras). The stuff made around the turn of the last century (late '90's early 2000's) can be more difficult to work with due to their use of SMD parts. But even those aren't too bad if you have the proper tools, patience, know how, some steady hands, and a schematic. Most electronic components used in cameras can easily be replaced for pennies. Even the extinct components will most likely have a modern day equivalent that's readily available on the internet (Though some will have proprietary IC's that can't be sourced except from the OEM. But IC's rarely ever go bad unless there was a catastrophic failure elsewhere in the circuit). The boards themselves can be remade on the cheap (you literally expose and develop them like a photograph).
The only thing that keeps people from routinely repairing these old boards is they take a fair bit of knowledge to understand, and most people who know enough about them to work on them, don't want to waste their time working on them. There's not much money in camera repair, so there's not much incentive for an electrical engineer to go into that field when they can make multiples more money working for a large company. And most non electrical engineers don't want to invest the years it takes to learn this stuff. So you have the people with the knowledge but no motivation, and the people with the motivation and no knowledge.
it's unused, and after sitting idle for 30 or so years, useless - that's my point.
The overwhelming majority of used cameras out there need servicing, if you disbelieve this get a shutter speed meter and test a few dozen. Out of 35 or so cameras bought used, exactly one was accurate at all speeds, a Nikon F2 which had been serviced prior to me purchasing it. My OM is not dead, it needs what any 30 year old camera needs - a complete overhaul. I have a Contax II which probably spent 50 to 60 years idle, after stripping it to the bare casting and cleaning every single one of over 600 parts, it looks great and works as it should. I have shutters from the 1890s which are more reliable than much newer, unserviced shutters. Machinery needs maintenance, the smaller the machine the more often it needs service.I'm sorry that your OM-3 has given up the ghost. Curious: beyond price, is there a difference between having a 30 yo unused camera CLA'd, foam seals replaced, etc. and a 30 yo camera that has seen regular use (not abused) and has received the same CLA, foam replacement, etc?
My second point is that if sitting unused is worse/near certain death for a camera, then the predictions of a near endless supply of used film cameras is well an over-estimate! Even now I doubt that most of the film cameras coming up on ebay, etc have been used in the last ten-twenty years.
"Useless" meaning the foam will get all over the interior if it's used, bits of foam could be what's causing the shutter problem.Well, that is good to hear about your OM3 not being dead. Since you said it was useless, I assumed you meant it had no use.
Of the Nikon FEs I've purchased, the shutters have all worked well enough that exposures seemed fine. I have not clocked them. The same with more modern FM3a's I've purchased. I agree that 'sounds good at all speeds' is idiotic at least beyond the slower shutter speeds.
NOS cameras often command a much too high premium in my opinion, however, I wouldn't hesitate in buying a NOS from a reputable dealer for a 20% or so higher price, over a used camera of uncertain provenance . YMMV.
I'm not FoidPoosening (what a name!), but I've also repaired many cameras. I've been a tinkerer since childhood and teen-age, taking apart everything mechanical, such as watches and clocks, and a Canonet. I've done the same with electronics. With all that experience, I know how things work, and how to repair them. If you want to learn to repair cameras, I suggest buying some appropriate tools and a few worthless cameras, and then enjoy disassembling them to see what's in there. For a camera with built-in flash, my only warning is to be careful with the large electrolytic capacitor that powers the flash-tube. It charges up to about 300 volts, and if you short its wires together, the spark sounds like a gunshot. BANG!Very curious, where did you obtain this knowledge as to how to fix such things?
You see that when you develop the filmI NEVER BOUGHT A RANGEFINDER NOR WOULD I; I want to see what he lens sees.
I NEVER BOUGHT A RANGEFINDER NOR WOULD I; I want to see what he lens sees.
You see that when you develop the film
That would be easy, but not cheap. It would be a lot cheaper to just replace the few bad parts on existing boards. Most modern electronic components have life spans in the hundreds of years if taken proper care of. The exceptions are potentiometers, switches, motors, or anything else with moving parts. Also, electrolytic capacitors and battery compartments tend to fail either due to fluid leakage or fluid drying out. Building whole new boards on a non-industrial scale would be very time consuming and expensive. So there's little motivation to make a whole bunch of drop-in replacements.
Hi Are you interested or offering maintenance and repair services for medium format cameras and lenses purchased secondhand in the UK ?The overwhelming majority of used cameras out there need servicing, if you disbelieve this get a shutter speed meter and test a few dozen. Out of 35 or so cameras bought used, exactly one was accurate at all speeds, a Nikon F2 which had been serviced prior to me purchasing it. My OM is not dead, it needs what any 30 year old camera needs - a complete overhaul. I have a Contax II which probably spent 50 to 60 years idle, after stripping it to the bare casting and cleaning every single one of over 600 parts, it looks great and works as it should. I have shutters from the 1890s which are more reliable than much newer, unserviced shutters. Machinery needs maintenance, the smaller the machine the more often it needs service.
Edit: Of the "35 or so" cameras mentioned above, only three or four were unuseable, the rest would have been described or were described as "shutter sounds good at all speeds" or some similar nonsense. I assume that anything I purchase will need work and pay accordingly. Often I buy stuff at yardsales, or described as "not working, for parts", or "shutter sticks on slow speeds". Nothing has ever been actually broken, just old dried out lubricants.
I'm not FoidPoosening (what a name!), but I've also repaired many cameras. I've been a tinkerer since childhood and teen-age, taking apart everything mechanical, such as watches and clocks, and a Canonet. I've done the same with electronics. With all that experience, I know how things work, and how to repair them. If you want to learn to repair cameras, I suggest buying some appropriate tools and a few worthless cameras, and then enjoy disassembling them to see what's in there. For a camera with built-in flash, my only warning is to be careful with the large electrolytic capacitor that powers the flash-tube. It charges up to about 300 volts, and if you short its wires together, the spark sounds like a gunshot. BANG!
I've had bad experience with electronic cameras. For example, an OM-G has uneven speeds, and yet it has no electrolytic capacitors to dry out. The timing-cap is ceramic or similar. The remaining parts are resistors and ICs. None of these parts should deteriorate, so how can such a circuit be flaky? Yet it is. Strange.
Mark Overton
The only thing that I might be troubled about repairing an existing PC in a camera is the fact that most these days are flex circuits. I can't help but wonder if a flex circuit becomes brittle over time. In which case w'd be dealing with increased fragility the older a camera becomes. Original Canon AE-1s are over 40 years old now. Original Canon A-1s are 40 years old now. II wonder how their flex circuits are holding up . . .
It's such a shame, I wish the powers that be would realise that there is money to be made by reintroducing some older and well loved 35mm cameras!
A better direction would be not so powers that be who work at powers to be leave the company and create an old camera refurb biz that includes repairs and making new parts. There are still a ton of good used cameras and lenses out there and if a company like this were to be made, the world would simply never even need brand new cameras.
Today we keep film cameras working. In a decade or two there will be more and more people taking old cars and trucks and keeping them working by playing with gasoline and diesel engines.
Ah. Mechanical cameras are a different animal. But, you'll still need the services of very good machinists to make the parts, many of which cannot be made by CNC processes, and 3-d printing has several lightyears of progress to go before it can make miniature precision parts of the strength and finish needed.I’m talking about mechanical cameras. By the time the world starts to truly run short there will then be demand for restorations. There will also be new technologies that allow for this.
I’m surprised people can not see that far ahead. I’m also surprised at how cheap people seem to think used film cameras will remain. I have seen a steady increase in the price of my bread and butter Hasselblad the 501CM. So I now have a small army of them to make darn good and sure I am in business for years down the road.
I bet the sea change in the need for restorations happens a lot faster than people on here think it will.
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