And there is one of the problems....."Current Hype".Hi All,
...... given the current hype of film photography.
That's right. Japan especially has numerous barely used/collectors cameras for sale at no more than twice the price of a beater. Which still puts them way below the cost of a new camera. Nikon F4 and F5, late EOS 1, medium format from Bronica and Mamiya, professionally made gear that evolved in manufacturing sophistication over many years. Why, when such stuff is available, would anyone spend money on a start up of unknown viability and engineering quality? Novelty? A good will message to the history of film?You can buy lightly used top of the range 35mm and 120 cameras , that you could only dream of owning back when they came , out for less than what you would pay for a new camera , if any of the firms bothered to gear up and make one now .
Yebbut their market is people who buy an M9 thinking they were owning a slice of heritage. The smart folks are into knuckleheads and 500 twins.Blockend unless your name is Harley Davidson or Triumph
Mechanical cameras may not be more reliable, but they're more repairable, which is why Sover Wong, Youxin Ye, Harry Fleenor, DAG, etc., stay in business, among others.
The issue with electronics is that there are so many subsystems that typically if even one fails, the camera cannot be used.
My cameras from the 1930's to 1960's are working perfectly. I suspect no camera with extensive use of electronics (1990's on) will be functioning 20 years from now due to its electronic complexity - and that includes the F6.
... I suspect no camera with extensive use of electronics (1990's on) will be functioning 20 years from now due to its electronic complexity - and that includes the F6.
I am sure many will. Of the same model some will be bad but a larger percentage of them still working perfectly fine that what I think.
If I myself make it at that time I would bring my much older F5 is that OK?Let's make a date: March 26, 2039 (roughly the 80th anniversary of the U.S. introduction of the Nikon F). We can meet at the base of Cleopatra's Needle in NYC. Bring your F6; I'll be the guy with the Nikon F. See you there!
Other Photrions welcome.
If I myself make it at that time I would bring my much older F5 is that OK?
If it was English I'd think it had a Villiers 2t engine, but that could be a jlo/ilo engine. I can't quite see the tank badge to work out the make.
I can bring a Contax II, I'll also bring a Kiev as backup - maybe some flashbulbs too.Ok! 2039.03.26: Everyone bring their camera.*
* (I was unable to find the day the Nikon F was officially introduced).
As for reproducing classic cameras, I don't think you reaslise what you are suggesting. Let's take the Nikon F2 as an example, the "simplest" version with plain prism contains over 1500 parts. Each of these parts requires drawing(s) as well as tooling for production. The body castings are very sophisticated pressure die castings, requiring very complex dies and tecniques. And let's not even mention the titanium foil shutter. All of these bits and pieces were designed for hand assembly, before the days of CAD/CAM production. So even assuming all the drawings and tooling still exist, you need people with skills and experience to make it all happen. How many "New F2" bodies would need to be sold at say $6500 to break even?Hi All,
I've been trying to search around to see if any film cameras are available to purchase brand new... it seems as if there is a big gap in the market!
So far i've found a rather naff looking kickstarter project called 'Reflex' and the lomography cameras (which look like toys... not in a good way!)
Can anyone help me out and suggest some film cameras which are available to buy brand new? On a completely unrelated note I can't believe that camera companies have not started reproducing older models given the current hype of film photography. For example, the point and shoot/compact market has exploded in recent years so it would only seem natural that a reproduction of classics like the Mju II and Contax T2 would happen somewhere down the line.
Thanks
It took me a while to work out it was a DKW, I thought it might be a 2-stroke Ariel. DKW became MZ. In the background is a Mobylette, I think.If it was English I'd think it had a Villiers 2t engine, but that could be a jlo/ilo engine. I can't quite see the tank badge to work out the make.
It's a dkw.
About 8 years ago I tried to work out how much a humble Nikkormat would cost, if produced again. I reckoned no less than £1500, probably nearer 2k. At the time a clean and fully functioning Nikkormat cost £30-50 on the used market.How many "New F2" bodies would need to be sold at say $6500 to break even?
And you assumed how many units would be sold? Of course if they can only sell 1 unit it would be a lot more and if they can sell a few millions it would cost less.About 8 years ago I tried to work out how much a humble Nikkormat would cost, if produced again. I reckoned no less than £1500, probably nearer 2k. At the time a clean and fully functioning Nikkormat cost £30-50 on the used market.
No one is going to sell a million film cameras anymore. How many Nikon millennial rangefinders did they sell? A few thousand? That's the economy of scale any new film camera would have to negotiate.And you assumed how many units would be sold? Of course if they can only sell 1 unit it would be a lot more and if they can sell a few millions it would cost less.
You're right - 1950's in Germany. My father-in-law - captured with his Perkeo I - Vaskar 80mm f/4.5..... It's a dkw.
And you assumed how many units would be sold? Of course if they can only sell 1 unit it would be a lot more and if they can sell a few millions it would cost less.
Fujifilm tried selling new cameras a few years ago. They had a line of nice 35mm cameras (Klasse series) and medium format (GF series). Both were VERY nice cameras.
They did not sell well enough to keep in production.
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