pentaxuser
Member
What is/are the camera incompatibility in 120? What is a high aspect-ratio grain structure in layman terms?I recall it was after doing some searching to see if there was much known about Fomapan 200's high-aspect-ratio grain structure & camera incompatibility in 120 - and that there was some reasonably well-sourced commentary to the effect that while the factory was highly aware of these and other issues, upgrading the materials to equivalent standards of sharpness/ speed/ overall quality control would raise their retail prices to the level of Ilford/ Kodak
Just a pity that you cannot recall the source of Foma's honesty about its film shortcomings. I presume that Foma did not express their shortcomings in such stark details and that there is an element, at least, of your interpretation of what it actually said wherever it said it?All you're telling me is that your confirmation bias is blinding you. I can live with some of Fomapan's shortcomings, and their specific aesthetics can be a strong point for a particular kind of 'look' - but under no properly rigorous industry-standard measure (and we're not talking about the developer-tasting garden-shed-test-chart amateur-grade rubbish here) are they in any way equivalent or better to Kodak or Ilford etc in speed/grain/ sharpness - and Foma are honest about that.
Do most of the attempts by member here to conduct their tests and produce charts fall into what seems to be garden-shed-test charts amateur grade rubbish? Are there any sources for film tests that we can trust such as Greg Davis, Henning Serger etc?
Thanks
pentaxuser
- but there seem to be good reasons not to do so too (not financial - if it was purely financial, making epitaxy work would have happened) in particular from a perspective of dealing with problematic end users who cannot understand the basics of process control despite owning enough grey cards (and photographs thereof) to paper the walls of several rooms.