I've been talking with one of my colleagues at work, who is a film maker, mostly experienced with video and digital video, though she's done still photography with film, and is working on a project with a friend partially in Super-8. I even had my Beaulieu serviced, which I needed to do anyway, and offered to let them use it, though they may go with a more lo-fi camera for a more "home movie" aesthetic. They haven't done much work with Super-8, but they're really enthusiastic about it, and now that my camera is working so nicely, I think I'll feel more inclined to shoot some Super-8.
I've been shooting some digital video for work lately, mostly of a strictly documentary nature, and that's leading to some more creative projects outside of my day job, where I'd really like to be able to have a chance to cut some film into the mix.
This is all hybrid work, since digital is the dominant medium and film is kind of an "effect," but I think there's a sense that even in the age of DSLRs that shoot with pretty amazing motion picture quality for their cost, there's an aura of authenticity in film that is missing from digital.
I've been shooting some digital video for work lately, mostly of a strictly documentary nature, and that's leading to some more creative projects outside of my day job, where I'd really like to be able to have a chance to cut some film into the mix.
This is all hybrid work, since digital is the dominant medium and film is kind of an "effect," but I think there's a sense that even in the age of DSLRs that shoot with pretty amazing motion picture quality for their cost, there's an aura of authenticity in film that is missing from digital.