Lachlan Young
Member
Often something close to the long or short side of the format I'm using.
For my film cameras that have an interchangeable lens feature, these are my "go to" lenses that I use when I am shooting the following subjects with only one camera and one-lens:
Landscapes - 28mm f/2.8 on 35mm SLR or rangefinder
Landscapes - 50mm f/4.5 on RB67 SLR
Landscapes - 90mm f/5.6 on 4x5 inch monorail viewfinder
Head & Shoulder Portraits - 85mm f/1.4 on 35mm SLR
Head & Shoulder Portraits - 180mm f/4.5 on RB67 SLR
Still Life - 55mm f/3.5 macro on 35mm SLR
Still Life - 105mm f/2.8 macro on 35mm SLR
Still Life - 140mm f/4.5 macro on RB767 SLR
Macro - 55mm f/3.5 macro on 35mm SLR
Macro - 105mm f/2.8 macro on 35mm SLR
Macro - 140mm f/4.5 macro on RB767 SLR
Sports - 80-200mm f/2.8 on 35mm SLR
Wildlife - 500mm f/4 on 35mm SLR
Do you have any lenses which are not "go to lenses" because that sure seems like a lot of "go to lenses".
Does it depend on the subject? Optics? The camera? Whether one is traveling?
I'm still trying to figure mine out. (It was 50mm for a long time, because I could only afford one lens!)I have more zooms than primes.
Isecond the statement about the fantastic optical quality of the 35mmf/2 Nikkor. It's a beauty.My "go to" lens—as in grab one camera and one lens and go out the door, for anything from a day out to a multi-day out of town trip—would be a 35mm f/2 Nikkor AI-S on my Nikon FE. The 35mm focal length just always feels right to me, and that lens is fantastically sharp.
If I'm bringing more than one lens, I might bring a 24mm or a 28mm and a 50mm, or maybe even a 24 or 28, a 50, and a 105, but if it's just one lens, I'll take a 35mm every time.
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