Thanks for the tip, Matt!If you use the "permalink" function at the top right of a particular post, and then copy the entire link that shows up in the window, the link will take you straight to the post itself.
Like this (for the one identified by Juan): https://www.photrio.com/forum/threads/where-does-fp4-fall-in-for-you.138018/page-2#post-1804651
I agree about the photo.
I think that the answer to "If one day Thomas visits this thread" may be never again. I can't recall seeing Thomas for some years now on Photrio . In fact on his profile page there isn't even that part of the profile that says when he last visited.If one day Thomas visits this thread, it would be nice to know (if he remembers) the EI he used, and how he metered...
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John, is your time suited for conderser enlarger, or better for softer light enlargers?Hi Juan, and thanks for the kind words. I remember taking that photograph well and I used a Nikon F90x and Af Nikkor 35-70 f2.8 D at the wide end. Exposure was 1/250 @ f8 and was determined by manual exposure using matrix metering and aiming at the side of the boat. Film stock was HP5+ @ ei200 developed in HC-110 dilution H with reduced agitation.
Lunchtime at Mevagissey. by E.J. Bragg, on Flickr
Excellent choice. And the print I have of it on my wall is pretty good too.One of Andrew's still kills me every time I look at it:
https://www.photrio.com/forum/media/broken.46882/
I'm jealous...Excellent choice. And the print I have of it on my wall is pretty good too.
I'll start with mine:
It's a medium format portrait made by Thomas Bertilsson. FP4+125 in Xtol-R.
Post #40, thread Where does FP4+ fall in for you? (2016).
www.photrio.com/forum/threads/where-does-fp4-fall-in-for-you.138018/page-2
The subject is a boy: one of the best portraits I've seen in my life, by any master.
Hi John.Hi Juan. The time is 12 minutes @ 20°C and I used 8ml of the concentrate diluted to make 500ml total developer. (1:63 ratio). The agitation regime is 30 seconds initial invertions, then 2 invertions at 4 minute mark and 2 more at 8 minutes and pour out at 12 minutes. This has resulted in well developed shadows and highlights restrained enough to hold detail. Resulting negatives are scanned with Plustek scanner and Silversoft software but would easily print on a condenser at grade 2 or 3. Lately I have used Ilfosol 3 in a similar fashion and I prefer it to HC-110. Dilution is 1:9 and total development is 6 minutes @ 20°C also with 30 seconds initial agitation and 2 invertions at 2 mins and again at 4 minute mark. Pour out at 6 mins. Also I always use Ei200 for HP5+. Here is an example of how sharp this can be.
Kind regards,
John
Diggory the Heligan Scarecrow by E.J. Bragg, on Flickr
Hi John.
Is that HP5+ in Ilfosol-3?
I imagined that mix would produce more grain... Your reduced agitation works very well for tone and grain!
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