What's Your Favorite Street Photography Camera?

Kuba Shadow

A
Kuba Shadow

  • 4
  • 0
  • 35
Watering time

A
Watering time

  • 2
  • 0
  • 54
Cyan

D
Cyan

  • 3
  • 0
  • 41
Sunset & Wine

D
Sunset & Wine

  • 5
  • 0
  • 41

Forum statistics

Threads
199,107
Messages
2,786,249
Members
99,814
Latest member
Terry99
Recent bookmarks
1

abruzzi

Member
Joined
Mar 10, 2018
Messages
3,079
Location
New Mexico, USA
Format
Large Format
For me, probably my Zorki 1. Prefocusing makes it so easy, and is one advantage of rangefinder over SLRs or TLRs. While you can prefocus an SLR, when you holt it to your eye, you have to compose with the subject potentially blurry, which is just distracting. Rangefinders, as long as the lens is designed to not accidentally get bumped out of focus or the aperture change, can essentially be a point and shoot.
 

Ko.Fe.

Member
Joined
Apr 29, 2014
Messages
3,209
Location
MiltON.ONtario
Format
Digital
To me it is clear choice. Every street photography book I have (except two) is from negatives taken with Leica.
I have tried XA, Zorki, Bessa, Rolleicord, Canikoly SLRs - not my thing.
I do regular street photography since 2007, started by using of flipping mobile phone and then DSLR. By now I take street pictures at least five days a week. I don't expose much, nor I show many. But it is the process I like. Some of of the pictures I took are in possession in USA, Russia and Australia. Some people recognizing me by my main street camera.
In Toronto I get asked which camera I'm wearing.
Just recently I discovered how easy is Olympus E-LP with VF1 and 15 f8. Except I run out of batteries just as I run out of film and today I forgot memory card. :smile:
So, my Ontarian M4-2 which I returned from Japan after paying 540USD for it in 2014 is still best street camera I have used so far.
With Summarit 35 2.5 which is best 35mm lens I have seen so far on the darkroom prints.



Once I'll run out of my 40+ years old darkroom paper I would have to quit from film due to greedy prices of the modern darkroom paper, then I'll see what I could afford. Probably, just this Oly 4/3 kit I have now. Or use my Leica M-E more, which is OK if it is used exactly same way as M4-2. My S16 skills are better than any digital M TTL metering. :smile:
My street projects are on this forum:
https://www.rangefinderforum.com/forums/showthread.php?t=164811
https://www.rangefinderforum.com/forums/showthread.php?t=158157
https://www.rangefinderforum.com/forums/showthread.php?t=152495/
 
Last edited:

jwd722

Subscriber
Joined
Jan 15, 2012
Messages
361
Location
Michigan
Format
Multi Format
Spectacular images
For street photography, I want a camera that is easy and fast to use. I most often use a wide lens, prefocus and set exposure, then point and shoot--many times barely lifting the camera to my eye (and sometimes just from chest level) as I pass the subject.
https://pdekoninck.cargo.site/Street

Spectacular images!
 

benjiboy

Subscriber
Joined
Apr 18, 2005
Messages
11,972
Location
U.K.
Format
35mm
Canon EF with Canon FD 35mm f
2 lens.
 
Last edited:

Black Dog

Member
Joined
Jul 21, 2003
Messages
4,291
Location
Running up that hill
Format
Multi Format
Ko. Fe-that's stunning; thanks for posting it. My XA2 is tiny and punches way above its weight, but does have its limitations compared to a Leica M series...maybe I'll even go all the way to a 'Texas Leica' (Fuji GSW 690). Pure Reason 1.jpg Pure Reason 2.jpg It's very pocketable when you're walking around town all day though (Edinburgh in this case).
 

benjiboy

Subscriber
Joined
Apr 18, 2005
Messages
11,972
Location
U.K.
Format
35mm
I actually find that any of my Canon SLRs are OK. for street shooting because nobody takes much notice of me, because once you are old have grey hair, and wear an olive drab M65 you also tend to become invisible.
 
Last edited:

Pieter12

Member
Joined
Aug 20, 2017
Messages
7,638
Location
Magrathean's computer
Format
Super8
I will often intentionally try to look like a tourist to do street photography. Nobody pays much attention when a tourist points a camera at something, usually thinking it's the scene and not them being photographed.
 

juan

Member
Joined
May 7, 2003
Messages
2,706
Location
St. Simons I
Format
Multi Format
I used to find a TLR was almost invisible to the public, I could photograph at 90 degrees to the direction I was facing, etc.

One day I was out photographing and a potential subject pointed at me and yelled, “That’s one of those cameras that woman in the movie had.”
She had seen the Vivian Maier documentary.
 

Russ - SVP

Member
Joined
Mar 26, 2005
Messages
755
Location
Washington
Format
35mm
B77667BD-175C-4881-A713-B3B6D47EEB07.jpeg
Was curious what everyone favorite cameras are for street photography? Don't get to shoot street photos too often where I live but love my Olympus XA2.


Any of my SLR’s or Rangefinders. I’m not picky.
 

Russ - SVP

Member
Joined
Mar 26, 2005
Messages
755
Location
Washington
Format
35mm
D3B87099-649E-41CB-A20C-46D16594468D.jpeg
For the last year or so, I’ve been street shooting with the F3 and 35 f/2 glass exclusively.
 

flavio81

Member
Joined
Oct 24, 2014
Messages
5,074
Location
Lima, Peru
Format
Medium Format
View attachment 237457


Any of my SLR’s or Rangefinders. I’m not picky.

That's a great imsge!!

On topic, i agree that anything with a waist level finder is a plus.

I've used a lot of different cameras for street photography including TLRs and the Rb67.

I'd say my top pick would be the Kodak Retina IIIc, just fold it away after you took the pic. Also the Olympus Pen S; it is very stealth; i have many good pics done with it! Superior in almost everything to the Rollei 35 (which I owned).
 

Russ - SVP

Member
Joined
Mar 26, 2005
Messages
755
Location
Washington
Format
35mm
A5EE26ED-7A63-4DA5-A866-636084C2946C.jpeg
Really, it’s whatever you are comfortable with and shoot quickly with. I Have found that for me, it’s a fixed lens rangefinder or SLR with a wide prime. However, I’ve never understood the reason behind a waist level finder. If it’s for stealth reasons, I don’t agree. There is no reason for stealth or sneakiness in street shooting. Just shoot with whichever rig you are quick and comfortable with.
 

rubbernglue

Member
Joined
Aug 24, 2013
Messages
177
Format
Multi Format
I ran around Paris using a Rolleicord and a Nikon FA and the year before it was around Hungary+Romania using Yashica-Mat along with a Fujica ST-801 (M42) and I can only say that I prefer the Rolleicord and the Fujica in the end. I think the M42-lenses are easier for zonefocusing than the Nikons, and also I dont get confused by the built-in lightmeter when using the mechanical Fujica since I use it without batteries :D I guess a M42 Pentax would do just as well.

Fujica with a 35/2.8 i had just found in a local shop:
413.JPG
 

Russ - SVP

Member
Joined
Mar 26, 2005
Messages
755
Location
Washington
Format
35mm
36E32A51-8ABC-49E5-801C-B16E2B07B743.jpeg
D1321DCF-0FAE-4428-87A0-D820A5FEB128.jpeg
BC9CABE3-221B-4203-811F-F9E6FB7F122E.jpeg
I ran around Paris using a Rolleicord and a Nikon FA and the year before it was around Hungary+Romania using Yashica-Mat along with a Fujica ST-801 (M42) and I can only say that I prefer the Rolleicord and the Fujica in the end. I think the M42-lenses are easier for zonefocusing than the Nikons, and also I dont get confused by the built-in lightmeter when using the mechanical Fujica since I use it without batteries :D I guess a M42 Pentax would do just as well.

Fujica with a 35/2.8 i had just found in a local shop:
View attachment 237536

Nice . What do you think of the Yashicamat?
 

Attachments

  • 8B11EC40-BAC2-4E42-A585-1481072F4598.jpeg
    8B11EC40-BAC2-4E42-A585-1481072F4598.jpeg
    139.7 KB · Views: 66

k.hendrik

Subscriber
Joined
May 23, 2008
Messages
687
Location
The Netherlands
Format
Multi Format
31752115205_497110c8c0_o (1).jpg

Contax G2 + 28mm; shhhsssilence.
Shot from my knee.
I would love to have a 'Nikon DW-30' with this camera; I wouldn't missed his hands then :wink:
That F5 is sooo loud.
 
Last edited:

cliveh

Subscriber
Joined
Oct 9, 2010
Messages
7,551
Format
35mm RF
By the Sea APUG.jpg


Leica M2
 

rubbernglue

Member
Joined
Aug 24, 2013
Messages
177
Format
Multi Format

NB23

Member
Joined
Jul 26, 2009
Messages
4,307
Format
35mm
No idea. I have so many to choose from.

Lately I’m enamored with my three ikoflexes and my original zeiss sonnar west Germany LTM on my Leica MP 0.58 number three.

But I’ve realized something. Whenever I’m on an important trip I bring a Rolleiflex, a Xpan and a Leica.

the Rolleiflex is the one I want to spend the most time with, followed by the xpan and the Leica, last.
Funny how, when surrounded by the xpan and the rolleiflex, my leicas become uninteresting.

So this says it all. The magic lies in a Rolleiflex. I’d go on a trip through India with 500 rolls of film and a rolleiflex without even thinking about my leicas. This always hits me as a surprise.
 

Smaug01

Member
Joined
Jan 27, 2020
Messages
104
Location
Chicago suburbs
Format
Hybrid
My favorite is the Rollei 35. While I still have to bring it up to eye level to shoot, thus notifying the subject, I preset it at waist level. Then, the shot is so fast and quiet, I bring the camera back down again, pretending to be fiddling with it. Or, I try to look around the subject, as if they had just obstructed my shot. I like Delta 400. Shot at 200 on bright days, 1600 on dim days.

Lastly, an AF SLR with a nice zoom; 28-105 or 35-135. These are REALLY fast, compared to the Rollei 35. Much as I like the little Rollei, I miss fewer shots with a proper AF SLR rig.


For night work I like a point and shot with fixed 38 to 45mm 2.8 with Tmax 3200, I develop as a +1 push. For daylight, zoom point and shoot with Tmax 400.
This is a great plan. Not sure about the zoom P&S, as they have crappy lenses compared to the early prime-lensed ones.

Hear me out here. Try not to laugh.

Just about any TLR can work well for street photography.

The problem with rangefinders and SLR's and almost anything else (and I do use them all) is that your subjects respond differently when they feel that a camera is pointing at them. You may see them looking right into the lens, building tension. So then you end up with a lot of intense looking photos where the subject is looking into the camera. Do you then take photos of people from behind? From far away? Just to get that candid moment.

With the TLR, navel-gazing into the chimney viewfinder from above, it's not so threatening to subjects. You don't look like you're about to take a photograph, and most folks will tend to just go about their business.

I took this with a Mamiya C330. But really any TLR with a chimney viewfinder should work fine. I'd love to get into a Rolleiflex someday.
TLRs are a double-edged sword. On one hand, a lot of people tend not to pay much attention to you. On the other hand, some people want to chat about the old-fashioned camera a bit too much. As for Mamiya vs. Rollei (flex or cord) the Mamiyas are more versatile, but not at all compact, compared to a Rolleiflex. On the negative side is that they have very limited depth-of-field, compared to 35 mm, so snapshots aren't as easy.


For street photography, I want a camera that is easy and fast to use. I most often use a wide lens, prefocus and set exposure, then point and shoot--many times barely lifting the camera to my eye (and sometimes just from chest level) as I pass the subject.
https://pdekoninck.cargo.site/Street
Great tactic.

View attachment 237531 Really, it’s whatever you are comfortable with and shoot quickly with. I Have found that for me, it’s a fixed lens rangefinder or SLR with a wide prime. However, I’ve never understood the reason behind a waist level finder. If it’s for stealth reasons, I don’t agree. There is no reason for stealth or sneakiness in street shooting. Just shoot with whichever rig you are quick and comfortable with.
Have you ever shot in a city in which subjects are more aggressive and hostile, feeling like they have a right to privacy, even while in public? There's also the capturing candid moments aspect, which is damned hard to do when we alert them to our intent by raising a camera to the eye.
 

NB23

Member
Joined
Jul 26, 2009
Messages
4,307
Format
35mm
Please guys, street photography doesn’t mean being stealthy or like a ghost. What’s the point? Shooting strangers that don’t know you are present is so uninteresting.
What’s the goal of shooting people walking across a store sign, exactly?

As a photographer, you must engage and be engaged. All the “from the hip” and “stealthy” stuff is a mark of amateurism.

IMO.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom