moggi1964
Subscriber
MPP Microflex in very good condition - a recent auction purchase.
A big job lot of cameras, plate and film holders and more, it was at a camera fair and there was no room to go through all the box. There were 4 cameras.
This one had a strange homemade back that takes a 35mm slide, luckily I found the correct back was separate near the bottom of the box when I got home.
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The camera is "Jasper Redfern Optician, Sheffield", he worked for Watson & Son in London, before setting up in Sheffield in 1895, his company went into voluntary liquidation in 1904.
The camera now has a new matching lens board, and a new ground glass screen, I found a more appropriate thumbscrew for the rise and fall. The carrying handle has parted, but will be easy to restitch. The bellows are in excellent condition for its age. I will give it light restoration, fit a TP shutter and appropriate lens.
The next tw cameras need a little work, a LAncaster 1/4 plate Instantograph, missing p its front standard, and a 9x12 ICA-Klappreflex Künstler Camera, missing its bits for fitting a lens. I'll pass this on . . .
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And then there was a 4th camera, It was tightly packed and hard to look at, and what a surprise when I unpacked it. A Thornton Pickard All Weather Press CAmera, taking modern Half plate holders (so also 7x5).
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Ian why do the English view cameras have the large round hole on the bottom???
Missing a lens board, this camera, is now ready to use, when I find an appropriate FL lens in a focus mount. The focal plane shutter was slow, sluggish, but with a little exercise it now works perfectly. I have a viewfinder for it somewhere.
Ian
Ian why do the English view cameras have the large round hole on the bottom???
@Peter Schrager
Your question is listed in the Quote.
That's easy, two reasons, one to allow the camera to fold closed with a lens, and ofter a Between Lens Tornton Pickard shutter. Secondly, many cameras use a circular tripod ring, mostly rotatable, which you attach the legs to.


Fab camera! Though the loading can be a pain, you either have to either reload immediately with film, or if you close it empty you have to through the full 12 frame count again before reopening.
The lens on mine is spectacular, hope you enjoy it!
My first TLR was a Microcord Mk1. Great lens (mine was another Ross Xpres), but the film loading is via a red window, and there's insufficient internal flocking to prevent light bouncing around the end of the film. It was a great intro, but I ended up donating it to a fellow MPP owners club member. As I understand it the Microcord Mk2 is probably the best option, with no red window loading and a more reliable film transport.The Microflex has film transport is often an issue, unlike the Microcord. But the Ross Xpres lenses are superb, from experience sharper than the CZJ and Opton Tessar, or Yashinon lenses.
Is that the stuff that I refer to as "squirrel turd coffee "?
My first TLR was a Microcord Mk1. Great lens (mine was another Ross Xpres), but the film loading is via a red window, and there's insufficient internal flocking to prevent light bouncing around the end of the film. It was a great intro, but I ended up donating it to a fellow MPP owners club member. As I understand it the Microcord Mk2 is probably the best option, with no red window loading and a more reliable film transport.
Received like it had just left the factory, in 1969.
Resistance was futile. So, I caved in... again...
I'm such a push-over for a Linhof!
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They were definitely channeling Sinar on that one. It reminds me of a Norma with axis tilts.
I like the head its on. Is that a 2-way head? (pan and tilt, leaving roll to the camera's monorail clamp.)
Oh Yeah, you mean this... (images courtesy of makeitinthedarkroom)
The Linhof Kardan Bi System is simply a masterpiece in design and engineering.
The Linhof 2-way pan-tilt head sits atop a Linhof Deluxe Studio Stand SGS.
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Received like it had just left the factory, in 1969.
Resistance was futile. So, I caved in... again...
I'm such a push-over for a Linhof!
View attachment 414168
I just ordered a Mamiya 7ii, actually exchange it for my Hasselblad 205.

This a fantastic lens. I am always surprised that the 250s sell for such a low price. Mine was an amazing 2018 bargain:250mm chrome C Hasselblad lens from Roberts.
"As-Is" with very minor interior haze...cheap!
Shutter speeds sound good.
Decent cosmetics.
Score!![]()
Similar to this.
kosmofoto.com
I might have bought a 38mm Zeiss Biogon with camera and film back attached![]()
You *might* have? I'm surprised you didn't already have one.

Fab camera! Though the loading can be a pain, you either have to either reload immediately with film, or if you close it empty you have to through the full 12 frame count again before reopening.
The lens on mine is spectacular, hope you enjoy it!
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