I have the Canon FD 20-35 f3.5 L zoom that I'm very happy with.I mean, I'd take Rockwell with a grain of salt. That said, it's a good lens optically. I haven't shot tests or gone looking for distortion, but when I'm shooting subjects that are square to the camera my straight lines are straight. If you're interested PM me and I may be able to send you a few raw files later this week, then you can see for yourself. The Nikkor has seemed a bit sharper and less inclined to fringing and flare than the Tokina, though I never had a shot ruined by softness or distortion using either lens. A repairman and camera shop owner I know praised it heavily when I told him I had bought the lens. He pointed out the aspherical front element and said he believed it's an optically better lens than the 17-35 which he now uses, but not by a wide enough margin for him to bother changing back, since he does use the extra width.
That's so pretty. Elegance is missing in so many modern things.Actually bought the Weston Master II for display use inside the Bell and Howell Accesory case for the Foton. The meter was NOS but alas, it fails to react properly to brighter light, so it fulfills it’s purpose of being a great display!View attachment 233370
My bad, sorry. I meant 127 and mixed up the numbers!110, how do you get 110 film
Just saw that Fotoimpex in Berlin has 110 film:110, how do you get 110 film
A yellow filter and lens shade for the Rolleicord.
Very good price! When you use the Dagor you can try the different aperture settings. At large apertures you will see the wonderful Dagor softness in the out of focus areas. Don't confuse that with low contrast, because Dagor has good contrast by nature. From aperture 12,5 and smaller the Dagor loses that out of focus softness and it can look like a modern lens.Picked up first plate camera, "Goerz" with Dopp-Anastigmat.Dagor 1:6.8 f=168mm lens.
Condition seems rather not so good but just for Dagor and it came in for €24, I can't deny
Very good price! When you use the Dagor you can try the different aperture settings. At large apertures you will see the wonderful Dagor softness in the out of focus areas. Don't confuse that with low contrast, because Dagor has good contrast by nature. From aperture 12,5 and smaller the Dagor loses that out of focus softness and it can look like a modern lens.
168 mm is standard for 10x15, so is the camera for that format?
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