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what was the last camera you used, last film and how was it developed

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Olympus 0M4Ti with 18mm, 21mm and 24mm lenses in Yosemite; Ilford Delta 400 in processed in DDX.

2017-003-37.jpg
 
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A roll of Ektachrome 100 Plus in my OM 4T. A couple of different lenses, and a couple of different locations.
Then I made the tactical error to wait until I was next by the London Drugs on Victoria Street in Vancouver before I had it processed. The roll ended up being unprocessed for far too long! But it is done now - there is one shot up in the gallery, with more to come.
Before that, a couple of rolls of bulk loaded TMY in my Olympus XA. Primarily they had shots of the Sun Run, including some of the aftermath (see APUG gallery).
And before that, a test roll of re-spooled TMY in my new to me Kodak Tourist. I should upload something from that.
I need to finish off the TMY roll in my RB67.
 
A very special camera: a Yashica Samurai X3.0, loaded with Agfa Vista 200.
It's a funny looking half frame camera. Most people think it's for filming, not photography :smile:

Yashica Samurai x 3.0-001.jpg Yashica Samurai x 3.0-003.jpg Yashica Samurai x 3.0-004.jpg Yashica Samurai x 3.0-006.jpg
 
Pentacon Six TL with Biometar 2,8/80 and Flektogon 4/50, Tri-X 400 in Caffenol-C-H (rs).

I would love to see the results of this combo.
 
no memory of when it was shot, or what camera it was
and i can't remember the film, but there were 2 120 rolls and 3 135 rolls
and i souped them in 1 year old hand mixed d72 1:8 ( 5 mins ) and hand roasted ( CCD )Caffenol C-Dektol
cut with a few glugs of d72, 5 mins, the 1:8 was 1 mins/10S/1min the CCD was continuous rolling around
on the darkroom sink. hanging now.

added at 10:37pm]

a variety of sheets of 4x5 film all expired all exposed in a box camera
all processed in d72 1:8@10mins ( + 2 shuffles )
 
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Hasselblad 503 CX with the CF 50mm lens shooting Kodak Portra 400 in the Delphi Archaeological site today.
 
I would love to see the results of this combo.

As you wish. I had overlapping frames on that roll, presumably because when I took the camera out of the bag, the lever was sticking out slightly. My guess is, the advance got wonky by that.
Otherwise, the P6 works perfectly.
 

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Agfa copex hpd 13 in a minolta 16ii into caffenol lc which i managed to develop at too low contrast meaning even grade 5 was pushing it
 
TMX100 in a Mamiya Six folder. HC-110 (H) 10 mins at 19C, (about 20% under Kodak's recommendation for printing with diffusion enlarger). Probably some of the best TMX negs I've had from HC-110. I've always thought HC-110 was a fairly 'hot' developer and cutting back the time works well for me.

Canon EF , bulk rolled PAN F Plus at ISO 50 in Adox Adonal 1+50 for 11.5 mins at 19C. The contrast is a bit high so will cut back on process time next time. Plenty of Pan F to burn.
 
Agfa Precisa 100 test film in a new to me Canon F1n, I just posted the film to Ag photographic for processing.
 
now sure when shot, some a few years ago, some recently
was either a m3ds or olypenF
been slogging through
7 rolls of color (lab) and b/w
processed with d72 1:8 (5min)+SUMCD4
also...
22 recently discovered 4x5
color+bw ( no clue what flavor)
200cc SUMCD+600 water+100cc D72 >8.5mins in a tray
maybe 6 rolls + 35 sheets to go same way...
 
Arca Swiss F-line 8x10. Rodenstock Apo-gerogon S 270mm f/11. Fomapan 400 at e.i. 200. Dev in HC-110 1:50 from syrup, 12 minutes at 19 degrees C.
 
Mamiya 645 1000S with the 80mm lens. Portra 160 for Prom pictures. I developed it but haven't got any farther than that.
 
Five sheets of 4x5 Ilford Ortho Plus about to be developed (Expert Drum 3006). My 'test' batch -- I exposed two sheets of each image, so 5 different images with back-ups (exposed the same or one stop more light).

I went to Ithaca, NY and the surrounding area for 9 days in May...for a wedding of a cousin and to visit my son at college. Flying with a 4x5 was relatively easy (last air travel with a LF camera was an 8x10...pre-9/11). I loaded up 12 film holders and came home with 4 not used. I used my Gowland PocketView and an 150/5.6 Caltar IIN lens. And a tripod that was much too light.

I will develop the film in Ilford PQ Universal Developer 1:9 at 72F for 12 minutes. All scenes had about a five stop range. Looking at making platinum prints...maybe carbon. Oh...I rated the film at 50 ASA.

And yes, I made it up to Watkins Glen. Those two scenes have about an 8 stop range of light!

Added this morning: Negs took fine...too much contrast for platinum printing, so these will be for carbon printing. I'll dial down the development on the next set a bit and aim for negs for platinum printing. Thinking same developer but at 1:9 (or 1:12), 68F for 8 minutes.
 
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Leica CL shooting Ilford HP5, developed in D76 1:1. I'm prepping for a trip and using this exclusively to get used to it again, as i tend to not use it as much as i should.
 
Shooting Nikon-F 85mm 1.8 with a CinemaScope 15x anamorphic lens. Using Cinestill 800. Getting some night/evening shots in town. For that nice movie feel. :smile:

3eQMx0G.jpg
 
I went to London last Wednesday with a 1975 era Konica Auto-Reflex TC taken over from my Boy who was given it and n ow never uses it ( Like his OM-2 outfit!) I loaded with 10/2004 Ilford Delta 100 for processing in my Home-Made Microphen Formula 1+1 -- as soon as I got out of the underground station at Oxford Street it was cloudy all day ! I have uploaded some results to my 'Media' I met a Bloke using a LEICA in a side street so had a chat about my 1965 M2.
 
pentax auto 110, fuji superia, soon to be lab processed
if i don't put it in coffee and turn it b/w
 
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