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what was the last camera you used, last film and how was it developed

4x5 Tachihara Hope, Film Photography Project Frankenstein 200, shot @ 200, developed at home using a SP-645 Max tank, PC-512 Borax, dilution 1:50, 5:15m at 20° C, 3 min pre-wash, inversion



1876 Barn by Richard Hendrix, on Flickr
 
  • tcolgate
  • Deleted
  • Reason: Will fix
In Duisburg, Germany



Pentax LX
SMC Pentax-M 4/20 with orange filtre
Adox HR-50
Adox XT-3, 1+3, 16 Min.
Plustek Opticfilm 7300, Vuescan
 
Union Station - Portland, OR, USA
Minolta Maxxum 70
Minolta 35-70mm Zoom

Harman Phoenix II
Dev + lab scan: Omega Photo in Bellevue, WA
 
Hasselblad 500 cm, Instax monochrome to check out new to me Hasselblad 50mm lens.

All good.
 
A 1945 uncoated collapsible 50mm f/3.5 Elmar on an M5 shooting Fomapan 200. Printing this afternoon with my new Heiland LED head.
 
8x10 Eastman 2D...Aviphot 200 and Adox CHS II.

Home-built Kludgeflex 5x7 camera, Jason Lane glass plates.

Hasselblad 500C/M...XP2 Super, Konica Infrared.

Not processed yet...will be in Rodinal and/or Adox Syrup 110.
 
Contaflex IV w/ Rollei RPX 100 processed in my Rondinax 35U with Rodinal 1:50 at 20c for 16 minutes;
 
I used my Polaroid OneStep+ with green monochrome film at a high school production of Shrek the Musical. I didn't even plan the green film, it's what was in the camera very fitting color.
 
Gowland 4x5 Pocketview, Calumet Caltar IIN 150mm/5.6, FP4+ in Ilford PQ Universal Developer.

Image taken in Japan… hopefully printed in the next few days (carbon printing).
 
Shout out to @MattKing because on my last 120 development yesterday I used his trick of putting 2 rolls on one spool. Was easy, no problems at all. I'll definitely be continuing that on developments to come.

Yesterday's dev was 510-pyro, Kentmere 400, Acros 100, and Adox HR-50 all on 2 spools in the same tank. 11 minutes 1+100.
 

Glad it worked well for you.
I don't know whether it is my trick though .
I'm assuming you used inversion agitation - that has been trouble free for me.
If you use rotary agitation, the films can wander with respect to each other and end up overlapping.
 
I developed 4 rolls of C-41 the other day. Nothing special. 1 roll was Harman Phoenix II. Goodness that's strange looking stuff. I doubt it'll even see a scanner, sure not going to try and print.
I don't think I have printed a colour photo in the last 18 months. I need to quit drinking coffee for two hours in the morning.
If I'm in the darkroom I'm oblivious of world events. And have earthen shielding on two sides just incase
 
Ilford Delta 400 Professional, first 19 shots in a Minox 35 GTE, last 15 exposures in my Nikon F3 through my new to me Nikkor 3.5/20 mm AI.

Exposed @320 ASA Development in Moersch EFD, 10:15 min, 22 C as from the datasheet.
 
MattKing said:
If you use rotary agitation, the films can wander with respect to each other and end up overlapping.
Click to expand...

The Jobo reels have a little thing you stick on to prevent that. I've lost all the ones I had....
 
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