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what was the last camera you used, last film and how was it developed

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Roll of Neopan 1600 135/36. Been shooting it for about 6 or 7 months :errm:
Shot at 800 coz the Olympus XA it was in only goes up to 800.
D23 (made in July 2018) 1+1 for 10 mins.
Scanning it as I write this.

OOh I don't remember it being this grainy last time I used it.
 
Roll of Neopan 1600 135/36. Been shooting it for about 6 or 7 months :errm:
Shot at 800 coz the Olympus XA it was in only goes up to 800.
D23 (made in July 2018) 1+1 for 10 mins.
Scanning it as I write this.

OOh I don't remember it being this grainy last time I used it.
I love my Olympus XA. Looking forward to the pics!
 
Hasselblad 501CM, Planar 3.5/100 CFi, T-Max 100, Lee Orange 21 filter, Pyrocat-HD 1:1:100 at 22 C for 14 minutes (minimal agitation).

47012996222_4079c465d0_h.jpg
 
Minolta XE-7 with Rokkor MC 55mm f/1.9.
1 roll each of Orwo UN54+ and Orwo N74+ Shot at 100 and 400, respectively.

Yashica 44.
1 roll of Efke R100 shot at 100.

I haven’t had a chance to develop any of it yet but the Orwo will go for a swim in D-76 1:1 and the Efke will get HC-110, 1:31.
 
Acros 120, actually 8 rolls, in Pyrocat HD. Decanted my Pyrocat into small glass boston rounds which turns out makes it much easier to pour into my graduated cylinder. Printed two of the negatives on Sunday at Harvey Milk Photo Center here in San Francisco, hadn’t been there in a while, still a great facility. Amazing that we have such a resource.

Roger
 
On a trip to visit my mother in Florida, I shot a number of films. The color stuff I'm not going to trust my home skills, But B&W I shot a roll of Fomapan 100 and half a roll of TriX with my Kodak Retina IIIC. The Fomapan has been developed in D-76 1:1 and scanned (I use scanning as my contact sheet). There are a number that came out very nice, that I'm hoping to get in my enlarger.
 
Acros 120, actually 8 rolls, in Pyrocat HD. Decanted my Pyrocat into small glass boston rounds which turns out makes it much easier to pour into my graduated cylinder. Printed two of the negatives on Sunday at Harvey Milk Photo Center here in San Francisco, hadn’t been there in a while, still a great facility. Amazing that we have such a resource.

Roger

I used the Harvey Milk center a few times..a great asset to The City. Milk ran a small photo shop in Castro Market and I had the opportunity to meet with him about his interest in a one-hour minilab...that was just before he got political. A good man, great loss.
 
Topcon RII with 35/2.8 Auto-Topcor and Kodak Gold 200 film, commercially processed.

I was extremely impressed with the quality of the photos. The lens is outstanding and the camera is fun to use.

IMAG9021-1.jpg
 
Nikon F-501, AF Nikkor f/1.8 50mm, outdated (August 2018) Fujifilm Superia 1600 that wasn't getting any younger, at the Lawn and Garden Show. Developed by Dury's, Nashville.
 
Rollei Retro 400S, Kodak Retina IIIC w/R720 filter, metered at ISO 25 and ISO 12, and developed in D-76. I recently bought 8 rolls of HIE, and having never shot IR, before I wasted any of the unobtanium HIE, I wanted to get a feel for what I can expect from IR. I was too soon as most of the vegitation was in hibernate mode where the leaves go brown waiting for the short winter to end, but the cactus didn't dissapoint:

 
Santiago, Chile
5x7 Eastman View No.2, Fuji W 180/5.6, no filter
Ilford FP4+, f32 for 10 minutes,
PyrocatHD in 3006 Expert Drum, two batches of 6:12:400, 70F, 5 minutes each
Platinum/palladium print on Hahnemuhle Premium Rag, developed in Potassium ozalate (110F)
 

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I like it.
I've got a 5x7 Eastman No. 1 that I like, no shutter. Clicked to see what you made on FP4 that I could make with my lens cap shutter and got a laugh when I saw what it is. Yes it would work at night!
All my work in the redwoods could be done with a lenscap for a shutter -- I use my two RD Artars (19" and 24") that way.

This is rare that I go from my last exposed negative to a print of it without some more negatives exposed inbetween.
 
All my work in the redwoods could be done with a lenscap for a shutter -- I use my two RD Artars (19" and 24") that way.

Last weekend I stopped at Mill Creek and thought of you when I took a couple shots. On Sunday, the light in the redwoods was breathtaking, the kind of atmosphere that makes you feel like you are in a cathedral. And you're right, any of them could have easily been made with an LF camera with no shutter.
 
Bronica S2 w/Nikkor 75 2.8 and HP5+. Will process in D-76, stock, for 6 3/4 mins. in a Jobo CPE 2+. Got a few frames yet to shoot hopefully tomorrow which is actually later today. Oh oh, daylight savings time starts, better get to bed!!
 
I was using two cameras yesterday. My trusty Pentax MX with Loma Cine100 and a newly purchased Minolta Hi-matic 11 Circuit 3 with fujicolor100 12exposure to test it out. I use a commercial developer (The Darkroom).
 
Zenit 3M with Agfa Vista+ - being developed by Snappy Snaps in Lincoln (I don't develop colour film at home). I shall pick-up the pictures tomorrow.

This is the Zenit that uses M39 lenses but NOT Leica fit M39 lenses. I have done half the cassette with the 'proper' lens and half using my Zorki's Industar-25 lens - using this Zorki lens allows me to focus down to about 20 cm. I even did the one shot with the Zenit lens held in front of the Zorki lens which allowed me to focus down to about 2 cm.
 
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