In equal measures, a Lomo Belair X/6-12, a Travelwide Wanderlust 65mm f/208 pinhole and a Canham 5x12. Film through all was Ilford FP4+. Oh, except for some Ektar 100 and Fuji Reala 100 in 120 (I have a few rolls left in a stash) through the Lomo.
I used my almost mint Minolta XE1 a couple of days ago to try out an equal or better condition Minolta 28/85 MD lens I acquired for only £19. (about 24$ US) I used about 28 exposures of Ilford FP4 film and intend to use the remainder today before developing it in FX39. All reports I have read on the web about this lens, suggest that it is one of the best that Minolta made - so my hopes are high.
I used my newly bought leica IIIc today. with the old uncoated elmer 3.5 cm lens to take some early morning shots at greve de Lecq. a small bay on our north coast. I used Fomapan 400 at box speed and developed in Firstcall film developer AKA Rollei RHS the resulting negatives look very printable
Leica M6..or possibly my M4 with either a 28 or 50mm lens (I don't believe the 90mm left my camera bag) and Tri-X (at EI 200). Film was double zip-locked and stashed in my freezer...awaiting the start of the rainy season in a few months' time.
Ancient exposed Ilford Selochrome 127, found by a friend in an old drawer, looked to have been damp at some time. Developed in D76, but totally fogged.
But never mind...I now have an empty 127 spool, which are apparently worth a fortune on Ebay.
I used a Kodak Vigilant Six-20 to test it out. Film was Ilford Delta 100, that I had cut down the edges of the spool to make it fit. Dev in hc110 dil b. The roll did not turn out, the image frames were real dark and so was the space between the frames. Some kind of light leak I imagine.
I'm back from Italy and what a beautiful country! I visited the region "La Marche" with beautiful mountains and the Adriatic Sea.
I spend a lot of time with the family so not too much shooting. Still, I was able to shoot 6 cameras and 12 rolls films within 8 days, almost all in one afternoon hick through the countryside and two small, old villages:
Hasselblad SWC (38 mm Biogon): 1x Portra 160, 2x Ektar 100
Ondy 6x6 pinhole: 1x Fuji NPC160 (exp. 2004) and 1x Konica PRO 400 (exp. 2006)
Woca 120G (=Holga with glass lens): 1x Kodak Tri-X
Olympus Mju II: 1x Kodak High Def 200 and 1x Agfa Vista 200
Nikon FM3A (with 40/2.8P): 1x Kodak Ektar 100, 1x Agfa Vista 200 and 1x Fuji NPH400 (exp.) accidentally exposed at ISO100
Widelux F7 (panorama): Kodak Portra 160
I hope to have the first results back from the lab after this weekend. Colour film to be developed in Fuji C-41 and B&W film to be developed in Ilford Ilfotec DD-X.
Roll of 35mm fomapan 400 using my Leica IIIc, developed in firstcall film developer at 1/19 (AKA Rollei rhs developer) looks nice, will print some in the next few days
Lomo Belair X/6-12, both Kodak Ektar 100 and Ilford FP4+. Ektar 100 will get developed in Unicolor Press kit c-41 chems, and the FP4+ will go in Pyrocat HD.
Saturday I shot a roll of Pan F+ and a roll of TMax100 with my Canon AE-1 at a Fly-in vintage air show. he I cam home and shot a roll of Delta 100 through my brand spanking new to me Mamiya RB-67.
All three rolls developed last night with Ifosol-3
From the Impossible SX-70 film I made four good shots out of eight back in June - better than I was expecting from Impossible.
Just now, after far too many weeks, I've finished a 36-ex roll of Ektar 100 in my Pentax SP500. In addition to the 55/2 Super Takumar that I'd used exclusively for 15 years, this time I included an SMC Takumar 135/3.5, a Kilfit Macro Kilar 40/2.8, and my storage-unit Super Carenar 28/2.8 lens.
Some of these images should be interesting - the Kilfit focuses so closely on objects. It's very impressive.