4season
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- Joined
- Jul 13, 2015
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- Plastic Cameras
Some good suggestions here I think, but probably the most important thing is simply go get started
Chances are, your decision will be determined by what's available in your local area at a great price. Buy it a la carte and you may spend thousands of dollars, but get a package deal from someone who wants to get rid of their darkroom and you can easily get thousands of dollars worth of gear for not much more than pocket change. Bring a vehicle with some real cargo-hauling capability and you may get really lucky. Truth of the matter is, you can't really know what features are important to you until you've spent some time in the darkroom. My first two enlargers were cheap 6x7 Omegas with color heads, which is what happened to be readily available to me. I grumbled about needing to re-align the head via a set of nylon screws periodically (mostly after bumping into it) or the foam light traps which needed replacement once in awhile. But they were perfectly serviceable, and if I hadn't started shooting large format, they might've continued to serve me well.
If I were assemble a darkroom today, who knows, maybe I'd do something crazy like get a Leica V35 enlarger with variable-contrast module: 35mm-only but it's the most lavishly built 35mm enlarger you've ever seen. And like most darkroom equipment these days, can sometimes be had cheaply.

If I were assemble a darkroom today, who knows, maybe I'd do something crazy like get a Leica V35 enlarger with variable-contrast module: 35mm-only but it's the most lavishly built 35mm enlarger you've ever seen. And like most darkroom equipment these days, can sometimes be had cheaply.