Since this pole is being taken from a select group of people who are in a select group of film shooters anyway, the results are both predictable and not surprising
Look at a Nikon Df. It's basically a digital FE. Amazing low light performance too, it has truly changed the way I do night street photography. I can do things that are impossible with film.
I use both digital and film, a full frame 35mm DSLR, and film from 35mm to 8x10. I view each as a tool with strengths and weaknesses and use an appropriate one for the situation and the results I need. No single camera is perfect for every situation.
For example, I recently took apart a copal shutter on an LF lens to repair it. As I took off each screw or part I took a photo using the DLSR. I made sure that I had included everything I wanted in each shot, didn't have glare from the light etc. As I was reassembling the shutter I had the images up on the computer in front of me as a reference. It would have been inappropriate to use film for that, I wanted the instant verification of focus, exposure etc and I don't want to have to make 100 colour prints in the darkroom when I could scroll through images on the computer until I found the view I needed. It's not fine art, it's simply documentation.
On the other hand, if I'm taking a landscape where I know I want to make a print for my wall, it will be the 4x5 or 8x10 - depending upon how far from the car I have to go!
I'm not dogmatic about "everything must be on film "or digital all the way"; I use whatever is the best tool for the job at hand to get the desired results. Sometimes that's a phone, sometimes it's the 8x10.
And I take my metaphorical hat off to Nikon not only for allowing the Df to accept pre-AI lenses, but also for creating a camera that has external controls for all major functions. To me it seems like a digital version of an F4.
Consider the aforementioned Nikon Df or the Fuji X series (e.g. X-Pro2, X-T2, or even X-100). All have external controls reminiscent of fine film cameras from the 1980's-1990's.
Although roughly 98% of my photography is with film, I don't want to be ignorant and ignore new technology. I'm glad that I feel capable and comfortable using any digital camera on the market today, even though my main ones are only the older Fuji X-Pro1 and Nikon D700.
Since this pole is being taken from a select group of people who are in a select group of film shooters anyway, the results are both predictable and not surprising
Any film, color or b/w.
Difficult with professional working photographers. Include or exclude. Leave that up to you.
I stuffed up. Treat the first option as "UP TO 100%".
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