As mentioned, Superia and Superia Press are the same emulsion with the same characteristics, and are consumer and pro versions of a film, respectively.
After the discontinuation of Press series, I think that there is only one such a case left: Elite Chrome 100 vs. E100G. Not sure about it, even, but the data sheets look exactly same.
All the other pro vs. consumer products are very different, such as Superia vs. Pro series, or Gold vs. Portra vs. Ektar series; or Sensia vs. Astia/Provia/Velvia and so on. They are completely different emulsions with different characteristics.
Firstoff, Kodak PDF is from 2002, when Kodak did had much wider E6 range. The information is becoming obsolete when the product range for both Kodak and Fuji is going to a direction where pro and consumer products are different emulsions.
From Kodak PDF, I cannot find anything that would support the usual claims (1) professional film is "post-ripened" after manufacturing, (2) consumer film needs to be stored at the store shelf for optimal color balance, (3) pro film ages faster than consumer film. Well, the (2) gets some sort of support as ---
"Kodak builds a small manufacturing bias into
films for general picture-taking to compensate for changes
produced by typical storage conditions and delays between
purchase and processing."
--- but it doesn't clearly indicate that the color balance and other features would be non-optimal if used "too quickly".
For (3), the opposite is clearly indicated; "If they are stored at the same temperature, both types of films will age at the same rate." So, as I said, the differences in keeping comes from the differences of accepted variation, rather than the variation itself.
All of the usual claims have some basis, as I said before, but are either misinterpreted, exaggerated or have become totally obsolete as of today.
Also, it's often heard that pro films have less exposure latitude, and almost as often I can hear that pro films have more exposure latitude. Neither is true and it's easy to check the characteristic curves for any particular product. There are higher and lower contrast pro films.
For these reasons, every time I hear someone asking "what's the difference between pro and consumer films?", I answer; they are both high-quality products but different product ranges with different characteristics, and you may find you favorite from any range. I don't say that they are same products with different ripening, as it is mostly untrue.