Take only 50mm lens. Light, compact, and you will not lose time thinking which lens to use now...
...just for fun of discussing it.
Are you familiar with William Eggleston? There's a great documentary about him, a British TV production, and he has this 'promise' to himself to never shoot the same thing more than once, because he ends up being too confused in choosing what to print if there's more than one negative of each - i.e. which is best.
I'm not saying you're wrong with your 'different angles' (this is subjective, after all), but I thought I would provide a counter argument to your idea, just for fun of discussing it.
okee, i'm in: the need to use "different angles" is inversely proportional to the photographic value of the scene
Unless you want a view of the dinner table and are afflicted with a 105mm lens....
Years ago I did inter-rail around the Continent and took an F3 with the 16mm fisheyeWow, did you ever touch another fisheye again after?
What lenses work depends on the person and the type of work that's produced. If you don't know what lenses to bring, that means you don't really know what you are doing with photography.
As has already been said 50mm only and you can then concentrate on control of perspective and composition.
A question for the puritans...are we allowed to use color film?
A question for the puritans...are we allowed to use color film?
No. If you want color - you use lith printing, toning or color ink in bromoil.
A question for the puritans...are we allowed to use color film?
... I think I'll go 20 - 28 - 50 - 105. I might drop the 20 ...
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