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What is your best "sleeper lens"?

MIT. 25:35

MIT. 25:35

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I also have a Nikon 50-135 f3.5 that I like. Heavy little bugger but it's fast and sharp. Isn't that what we seek?

I agree. For me, I don't care yoo much for weight or size as long as the lens is optically great. Perhaps that's why I like thr Mamiya RB lenses so much...
 
I've got a 28mm f/2.8 Rokinon lens in Pentax K-mount that I like to use with Rollei IR400s. Set the aperture at f/8 and pick a shutter speed that works for what the current lighting conditions are at EI 25. Set focus at 10ft (according to the DOF scale, everything from 5 feet to infinity will be sharp), screw on the filter and fire away. Bracket by taking pictures at EI 12 and EI 6. I usually end up liking the EI 25 one best. I've not tried it at f/2.8 yet, probably because I have a Pentax-M 50mm lens that is a stop faster that I'll use for low light with B&W. If the light is low and I'm shooting my usual color slides, I end up using flash to get color balance right, so lens speed is less critical.
 
Thinks for the responses,everyone. It was good to see your opinions and conversations.
 
Definitely my Nikon 35mm 2.0 AF D and my Nikon 35mm 2.0 AIS. Both of these lenses yield extremely sharp images, imperceptible distortion and outstanding color rendition. Most online reviews I have read regarding both of these lenses refer to them as less than stellar, but from my personal experience I can say that they are truly amazing.

If I was to drop, damage or lose any of my lenses these two would be on the top of my list to repurchase.
 
I have one outstanding sleeper lens. It's a Sigma Super Wide II f/2.8 24mm lens with a Nikon AIs mount. Uses 52mm filters, runs through to f22 and has half stop click stops, something no Nikkor lens does, as far as I know anyway.

The quality, whilst not equal too or better than Nikkor lenses, is nonetheless, extremely good to very very good. I actually bought this lens duty free just prior to leaving Australia, with the idea to use it on a European holiday then flog it when I got back home. The lens was so good I couldn't contemplate moving it along, plus, it was cheap as anything compared to anything Nikon, but more expensive than comparable after market manufacturers like Tamron.

Mick.
Agree. I own the Sigma Super Wide II 24/2.8 in both Sony/Minolta AF-mount and in Minolta SR/MC/MD-mount and it is great. The €50,- I bought it for is a steal and even at €100,- it would still be a good buy. It is my best sleeper lens :D
 
Vivitar Series 1 70-210mm F3.5 Macro (OM Mount)

It is a heavy beast, and I've mostly used on my digital bodies. It has a lot of redeeming qualities. The focusing is very easy (twice the throw of my Zuiko 65-200 F4). I bought it to photograph evening (unlit)football games, a task it excels at.

I posted it for sale a few years ago (after getting an AF lens of similar speed and range), but going over all the photos I've taken with it, I couldn't bring myself to part with it.

It may not qualify as a sleeper though. You show up to the side lines with that on a lens support rig and a monopod, and people give you room. My Zuiko 50-200 F2.8-3.5 Four Thirds lens is bigger, but doesn't have the presence the Vivitar & lens support does.
 
Did we mention the Nikon Series E 100mm f/2.8 ?
It's a real bargain - very sharp with high contrast for all apertures.
The lens is also extremely compact and lightweight (215g).
I use the 100mm f/2.8 on D200, FM and on a F-301 (N-2000).
Really like it !

http://www.mir.com.my/rb/photography/hardwares/classics/emfgfg20/eserieslenses/htmls/100135mm.htm

I've heard great things on this one too. Tempted to pick one up but I already have an old 105/2.5 Nikkor that is just wonderful...
 
I got rid of all my sleeper lenses because they slept too much. Two that I remember most fondly are Nikkors 135/3.5 and 50-135/3.5.
 
I've heard great things on this one too. Tempted to pick one up but I already have an old 105/2.5 Nikkor that is just wonderful...

I have the Nikkor 105mm f/2.5 Ais - it's a great lens (even better than the 100mm Series E).
The 100mm Series E is pretty inexpensive and a I like it in addition for traveling or hiking light.
 
Somewhere I have a microfilm lens. A real sleeper. No one wants microfilms anymore, so it sleeps with the fiches.
 
Right now, I think that the finest lens I own is stuck to the front of my Sigma DP3M. It is the Sigma 50/2.8 Macro. Of course my Sigma 50/2.8 Macro K-mount edition is also quite spectacular but I think the two may be a bit different, but perhaps not. It is a very nice lens in either configuration.
 
Somewhere I have a microfilm lens. A real sleeper. No one wants microfilms anymore, so it sleeps with the fiches.
 
The Nikkor 25-50mm f/4 is a lens, that astonishingly is little noticed nowadays.
I love to use it for landscape photography, so the slow speed is not a problem.

http://www.mir.com.my/rb/photography/companies/nikon/nikkoresources/zoomsMF/2550mm.htm



Bjorn Rorslett :
… the 25-50 f/4 Nikkor is a true optical gem. it has a degree of colour vividness that only is matched or surpassed by the recent and hugely expensive AFS Nikkor 17-35/2.8 and AFS 28-70/2.8. there is very little colour fringing in this lens and it has remarkably good image rendition when stopped well down, a feat that very few modern zooms can match.
 
The Nikkor 25-50mm f/4 is a lens, that astonishingly is little noticed nowadays.
I love to use it for landscape photography, so the slow speed is not a problem.

http://www.mir.com.my/rb/photography/companies/nikon/nikkoresources/zoomsMF/2550mm.htm

Bjorn Rorslett :
… the 25-50 f/4 Nikkor is a true optical gem. it has a degree of colour vividness that only is matched or surpassed by the recent and hugely expensive AFS Nikkor 17-35/2.8 and AFS 28-70/2.8. there is very little colour fringing in this lens and it has remarkably good image rendition when stopped well down, a feat that very few modern zooms can match.

I passed on a used one of those in the used section of a camera store in Providence. It was $75 IIRC, It seemed like an odd focal range to me so I didn't think much of it. It was Hunts Camera in Prov. if anyone wants to try and grab it. But it was a while ago so I'm sure it's gone.
 
It was $75 IIRC ...


This one was placed at a very cheap price … :confused:
I got mine (`mint´condition) for about 230 Euro (265 US Dollar).

Maybe you saw the Nikkor 28-45mm f/4.5 Ai ?
This one can be found for 75 US Dollar (more ore less).
I don't try this lens so far.
 
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These threads always disintegrate into my-favourite-lens debates, with names like Zeiss, Leitz and Angenieux bandied about as "sleepers". I assume we're talking about lenses that can be bought on ebay for £150, often under £100 and sometimes for less than £50. A Canon L lens rarely qualifies.

The old Canon 100-300mm L zoom lens was a bonafide sleeper. Quickly discontinued, it was available used for a really low price at one time. Not sure about today. Probably not.
 
Another vote for the 17/3.5 SP. Rented one of the early built-in filter versions back in 1991 for a trip up to the Skagit Valley Tulip Festival.

If we're talking camera manufacturer lenses, then the Series E 70-210/4 (and the AF Nikkor version) are quite good. The E version sometimes can be had for almost nothing, unlike the AF version, which tends to be somewhat expensive in comparison. Other Nikon lenses I've been pleasantly surprised by: the 28/3.5 Nikkor-H, 135/3.5 Nikkor-Q, 200/4 Nikkor-Q, the 20/3.5 Nikkor-UD, the 50/1.4 Nikkor-S (which, as long as you don't use f/1.4, shoots very well - did a test shot recently at Kenmore Camera on an off-topic Nikon full-frame camera with my copy - tack sharp at f/5.6), and, of course, the 50/2 Nikkor-H. Pentax-wise, I was very happy with my old 55/1.8 Super-Multi-Coated Tak. Not as much with the earlier Super-Tak, but, that was still a decent lens, hung off my beater H3v that I had as a kid.

-J
 
This one was placed at a very cheap price … :confused:
I got mine (`mint´condition) for about 230 Euro (265 US Dollar).

Maybe you saw the Nikkor 28-45mm f/4.5 Ai ?
This one can be found for 75 US Dollar (more ore less).
I don't try this lens so far.

Yup! I looked it up on MIR and it was the 28-45.
 
Over Christmas I was reminded what nice lenses Yashica's single-coated DSB are. I finished a black and white film on the FR walking round a local lake. They offer a sharp but subtle rendition that would carry a big price tag if it came on a cult brand. Test charts may not show anything remarkable, but when did they show anything useful about character?
 
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