These threads always disintegrate into my-favourite-lens debates, with names like Zeiss, Leitz and Angenieux bandied about as "sleepers". I assume we're talking about lenses that can be bought on ebay for £150, often under £100 and sometimes for less than £50. A Canon L lens rarely qualifies."Canon's 17-40 f4L. But is shares equal-first sleeper place with the TS-E 24 f3.5L. My Pentax 67 MF system has myriad sleeper lenses -- very difficult to settle on one stellar performer over others... "
-How are any of Canon's L series a sleeper? They are expensive, built to be better than other lenses, and have the reputation as such. A 'sleeper' is one that is great but no one knows about. Maybe confusing with 'ringer' which is that one that everyone knows is better than the rest but you sneak it onto your team to win the game.
Cultural terms can be difficult, i guess.
Nikon 75-150mm Series E Zoom f/3.5 AIS
This low-cost lens produces great images
These threads always disintegrate into my-favourite-lens debates, with names like Zeiss, Leitz and Angenieux bandied about as "sleepers". I assume we're talking about lenses that can be bought on ebay for £150, often under £100 and sometimes for less than £50. A Canon L lens rarely qualifies.
I have one of these lenses bought it for £25 ($39) mint boxed second hand with hood at my local pro dealer as a temporary measure until I could get a Canon FD one and intended give it to my niece when I did. As Mick writes it's a very good performer much better than I expected that I'm happy to keep and shoot with, and no longer want the Canon FD one.To me a sleeper lens is something that does something it isn't expected to do. Usually this means a cheap lens that is actually equal to, or better than, a hero lens of the same designation from a prime camera manufacturing company.
I have one outstanding sleeper lens. It's a Sigma Super Wide II f/2.8 24mm lens with a Nikon AIs mount. Uses 52mm filters, runs through to f22 and has half stop click stops, something no Nikkor lens does, as far as I know anyway.
The quality, whilst not equal too or better than Nikkor lenses, is nonetheless, extremely good to very very good. I actually bought this lens duty free just prior to leaving Australia, with the idea to use it on a European holiday then flog it when I got back home. The lens was so good I couldn't contemplate moving it along, plus, it was cheap as anything compared to anything Nikon, but more expensive than comparable after market manufacturers like Tamron.
Mick.
I have one outstanding sleeper lens. It's a Sigma Super Wide II f/2.8 24mm lens with a Nikon AIs mount. Uses 52mm filters, runs through to f22 and has half stop click stops, something no Nikkor lens does, as far as I know anyway.
I have two of the 50mm f1.7s. Neither are as good as my Olympus or Nikon f1.8s. Do you like the f2 version better than the f1.7?I feel the same about my Pentax M 50mm f/2. Got it on the ME Super back in 1988. Small lens and good quality. Faster than those zooms too!
Mamiya f/4.5 180mm SUPER.
I have one outstanding sleeper lens. It's a Sigma Super Wide II f/2.8 24mm lens with a Nikon AIs mount. Uses 52mm filters, runs through to f22 and has half stop click stops, something no Nikkor lens does, as far as I know anyway.
"Canon's 17-40 f4L. But is shares equal-first sleeper place with the TS-E 24 f3.5L. My Pentax 67 MF system has myriad sleeper lenses -- very difficult to settle on one stellar performer over others... "
-How are any of Canon's L series a sleeper? They are expensive, built to be better than other lenses, and have the reputation as such. A 'sleeper' is one that is great but no one knows about. Maybe confusing with 'ringer' which is that one that everyone knows is better than the rest but you sneak it onto your team to win the game.
Cultural terms can be difficult, i guess.
I am stunned by the quality of the images I get from my 19mm f3.5 Vivitar wide angle.
Tamron SP 17mm f3.5 the best rectilinear ultra-wide angle I have ever used, lenses of this type are very difficult to manufacture.
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