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Newer seen such, too. I wonder if it can cause problems when doing color enlargements...Thanks! In 55 years of photo work, first time I ever saw one.
Clever in theory. Useless in practice.
The one shown in post #1 has the 45º bevel rotated 180º out of position. The bevel should be opposite the lens. The bevel is coated with silver paint that is supposed to reflect the light from the lamp 90º from the tube to the aperture scale. The light reflects from the reflective paint at bottom of the bevel, through the tube, and to the aperture ring.
Here are some photos of Beseler 23C lens boards with the pilot light tube in correct orientation.
https://www.bhphotovideo.com/c/product/4519-REG/Beseler_8037_50mm_Flat_Lensboard_for.html
https://www.bhphotovideo.com/c/product/4525-REG/Beseler_8029_39mm_Lensboard_with_5_8.html
https://www.bhphotovideo.com/c/product/4517-REG/Beseler_8023_39mm_Flat_Lensboard.html
https://www.bhphotovideo.com/c/product/4515-REG/Beseler_8021_39mm_Flat_Lensboard.html
Note the different tube lengths to accommodate the assumed aperture ring distance from the flat part of the board.
I notice in these illustrations that there are two thumb screws on each board, presumably to prevent movement.

I notice in these illustrations that there are two thumb screws on each board, presumably to prevent movement. All my old Beseler boards have no such screws. When did they introduce this feature?
And I agree that the red light is too feeble to illuminate the aperture ring. I'm sure most people just count clicks from full open.
It's a useless feature so I removed all the ones on my Beseler lensboards and put a strip of black tape over the hole.
The thumbscrew are to help level the lensboard. The 45 MXT isn't the most user-friendly to level all the parts of the enlarger
I was musing about this last night, and wondering whether they may have been of greater practical advantage if used with the higher power/greater light intensity found in some of the commercial printing setups.
I was musing about this last night, and wondering whether they may have been of greater practical advantage if used with the higher power/greater light intensity found in some of the commercial printing setups.
I'm thinking of the big 220 volt, 5x7 Durst colour enlarger that friends had which threw off so much heat that they needed to add air conditioning to the darkroom, as well as the Durst miniprinter I used in a photofinishing lab for a while, where it was really, really difficult to actually see the aperture setting in order to check it.
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