Do we have a modern take on the "deleted" thread here?
Woo hoo... the good old days are here again!
Do we have a modern take on the "deleted" thread here?
The OP may have decided to disregard this but it's actually an interesting discussion.That was my first thought when I read the title!
FWIW, when I shoot colour film (probably less than 5% of all photos), it's always slide. I love the colours, the vibrancy, everything. And if I want to experiment, I don't have to worry about the print shop not printing the "outtakes", as is common here in Japan with negative film.
Particularly medium format. A 6x6 slide projected on 2x2 meters in a darkened room will blow your socks every. single. time. Even if the picture is poor. I encourage everyone to try it out. Non need to fork out the money for a PCP80, any cheap projector will do. The most expensive today are the slide mounts (price of a box of 20 went from 25€ to 48€ here in Germany over the last 5 years), but those can be reused.Slide film when projected can be spectacular.
Gorgeous pictures, thanks for sharing! What is your color management process to ensure fidelity of the Velvia palette through scan & display?You know immediately if a shot was exposed correctly with slide film before scanning. I find it's easier to scan and get the colors right in post processing. I don't print much anymore. But I do create slide shows to display on monitors and 4K TVs. I like the color palette in Velvia 50. https://www.flickr.com/search/?sort=date-taken-desc&safe_search=1&tags=velvia&user_id=55760757@N05&view_all=1
Thanks. Regarding "Color fidelity", I don;t worry about that. I never compare my editing of scans with the original slides. Who cares? It's not a contest. Viewers will be looking at my photos and won't have the original slide to compare too. Just as you didn;t know, and liked them anyway, so will they. When I adjust, the colors probably come out close to the way they were on the slides. But it doesn't really matter as long as I'm happy. The Velvia palette was developed by some Japanese guy who's probably is dead by now. His artistic expression isn't mine anyways. I just adjust it to the way I like it. If it looks good to me, it probably will look good to others. I do use a calibrated monitor and adjust it to RGB color space which is the palette used on the web. If your monitor if off, you could wind up with weird colors that look good to you but are terrible to everyone else. But this is true regardless of the medium and editing process you use.Gorgeous pictures, thanks for sharing! What is your color management process to ensure fidelity of the Velvia palette through scan & display?
How does displaying on a monitor or TV compare to the "real thing" of analog projection?
Thanks,
ETN
Looks great. How did you scan and process it?
I got some of the new ektachrome to try for wide field Milky way or deep space pictures. Planning to use either my f5 or f2, in conjuction with a tracker. From the stuff I have seen it seems Ektar is a way better choice but I will decide for myself once I actually try it.
One thing I like about slide film is that unlike negative film that must be inverted and interpreted with curves (and in the case of color neg, several curves for each channel) the slide is just there. Also, in the case of the specific slide film of velvia 50, I get some really lovely brilliant purple tones I have a hard time getting with other films. This accurately reflects my memory of the moment, and the scan accurately reflects (or should I say transmits) the slide. For example: https://www.flickr.com/photos/132764966@N03/49068208736/in/dateposted-public/
Scan & inkjet is the only really feasible option at this point. You can try RA4 printing them with a reversal process, but I have yet to see anything that comes close to an acceptable result, and I doubt if it'll every be any good, to be honest. Alternatively you could try working with an internegative, but it's a rather involved and potentially costly process (color sheet film isn't cheap), so a lot of work in order to get decent results.And how do you get prints from them? Digital scans and inkjet prints was the answer that Matt provided, but can you even do analog prints with them?
Another approach would be using a inter-negative. But as with direct-printing the apt materials long ago had been cancelled.You can try RA4 printing them with a reversal process, but I have yet to see anything that comes close to an acceptable result, and I doubt if it'll every be any good, to be honest.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?