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What films did you shoot most recently?

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99% Plus x . The other 1% Tri x. I have shot some Ilford, and TMAX. I always go back to what works best for me.
 
Fuji NPH 220
Kodak Plus-X 120
 
BW400Cn. It's a great film and the only thing "wrong" with it is that I can't process it on my own, which I really enjoy.
 
Portra 400VC in 220. I'll miss having the two different Portra 400. I hope the new film is a good one!
 
i just blew through a 15year old of tmz ( 3200 )
and it is loaded in a tank ready to process ...
( hopefully today or tomorrow )
 
Kodak Ektar.
I have come to a decision about the film now: hate it!
From now on colour = Portra.
 
120 Fomapan 100 in Istanbul and Venice & then Delta 100 of the Trulli houses in Alberabello, Puglia and the following day the same at the ruins of Olympia in Greece.

Now just need to process them all :D

Ian
 
TMax 400 for Hasselblad
TMax 100 for pinhole
Acros for 35mm (as Legacy Pro 100)

Same old same old, basically.

Have a backlog of about 30 rolls to process.
 
Kodak 500T, scanned to edit :smile:().
 
Trying to get some outdoor shots in before it gets cold (hoping for another 4-6 weeks at least) here, and use up some random rolls of expired film I've had kicking around. So far I've gotten to:

- Portra 400 NC (35mm)
- Fuji Pro 800Z (35mm)
- Tri-X (35mm and 120)
- Delta 3200 (35mm and 120)

So much expired, improperly stored film, so little time :smile:
 
Near where I live there's a motor museum which holds special theme days and recently they had an Italian auto day. I decided to go along and as red is the typical colour of many Italian sports cars, I thought I'd use up a roll of Agfa Ultra 50 which really exaggerates the reds. As it happened there wasn't that many red cars there, or even interesting cars for that matter. But hopefully I managed to get a few interesting abstract shots (a project I've been working on for a few years).
 
Do you process that yourself?

No, it was 16 mm shot with a Bolex and lab processed in the intended process.

The project simply cannot afford to do analog editing. The film and processing alone severely strain the budget. Good thing that the "actors" are free (i.e. we are doing documentary shooting)! :D

I would very much like to use this emulsion in a still camera, but I need to find a place that will process short rolls in ECN-II, and that will push them to increase the contrast. A and I used to process them, though they did not push. I ended up having to scan the negs, as they would not print right unless they were shot in very high-contrast lighting.
 
I just got a roll of slightly expired Kodak Gold 200 developed. I shot it in my Ansco B-2 Cadet box camera after rolling it on a 120 spool and paper.
 
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