You should try color. I was not sure about it at first but in a way color is easier, one temperature, one time, one routine for all films. Push by 1 or 2 stops just means some extra time in dev, again fixed for all films it seems. Kodak, Fuji, Solaris, all seem similar. No more lab drop off for me, a nice feeling!
I read about the 8 reel tank above, I don't have one that big. Hand inversion agitating that must be fun...
I will, I'm just waiting to see will I buy machine for C-41 or will I develop by hand. I know it is not a big problem.
That's come along way since it was Fujicolour HR400 back when Duran Duran and Spandau Ballet were topping the charts!
Over five hundred responses in 7 months. We do love to think we are important.
There is a cool little scene in the Girls On Film (Extended Version) video where they're loading Nikon and Hasselblad cameras with the film, mounting lenses and so on. Worth checking out, not sure if it is on youtube or not due to some, um, content...
ObFilm: shot two rolls of 2005 expired Kodak Portra 160NC today in the Mamiya RB67.
15 years expired tmz 3200
Two Fujifilm Superia 1600 (they really should name it 1000) and one Kodak Ektar through the Canon F1 New, shone on through a FD f/1.2 85 mm L lens. Results.
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