What films did you shoot most recently? (Part 2)

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miha

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FP4 in a rollex back
 
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35mm & 120 HP5+
120 FP4+
120 TMY-2
Various 35mm C-41 film for snapshots with my grandmother's old Minolta point & shoot. :smile:
 

wblynch

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I guess I need to buy a case of FP4+ before it goes away like Plus-X did. I'm sure it will be the first line cut by the new vultures (er, owners)


35mm & 120 HP5+
120 FP4+
120 TMY-2
Various 35mm C-41 film for snapshots with my grandmother's old Minolta point & shoot. :smile:
 

Sirius Glass

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I guess I need to buy a case of FP4+ before it goes away like Plus-X did. I'm sure it will be the first line cut by the new vultures (er, owners)

Buy it now to keep it from the film hoarders. That is what I am going to do.
 

perezedgar720

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Just loaded ultramax 400 into my Yashica electro35 as a test roll. I exposed a few frames already bc brainfart when loading it haha hoping to get good results
 

Black Dog

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Fuji Superia 400.
 

Black Dog

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There are still some lucky guys on planet earth [emoji4]

Ha!....that reminds me , I still have some Velvia in 220 in my folks' freezer!:cool:
 

gijsbert

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A 120 roll of Rollei Infrared 400 and Rollie Retro 400s each.
 
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Fujifilm Provia 100F 120 in a Fuji GF670 folder configured for 6x6 frames.

Today was the North Head Lighthouse north of Cape Disappointment in Washington State (USA). Tomorrow is the older Cape Disappointment Lighthouse at the point the mighty Columbia River empties into the Pacific Ocean.

Due to the extraordinarily treacherous surrounding waters, these are the only places in the US where two lighthouses are situated only 2 miles apart. Historians claim that over 2,000 ships have foundered attempting to enter the mouth of the Columbia from the sea. It also doesn't help that this area records over 100 days of fog every year.

The North Head light is currently an active navigational aid still maintained by the US Coast Guard. I climbed all the way up into the lantern room and was given an instructional tour of the facility. Originally equipped in 1898 with a magnificent French crystal first-order Fresnel glass lens, it now burns a small 35-watt incandescent VRB-25 aerobeacon turntable. That original lens is on display in a nearby museum.

Lighthouses are very cool...

Ken
 
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I guess I need to buy a case of FP4+ before it goes away like Plus-X did. I'm sure it will be the first line cut by the new vultures (er, owners)

Just continue to do what you always did. I keep about 50 rolls of film at the house, and when I run low I replenish. That way you don't run out, but you also don't hoard. Business as usual as far as I'm concerned.
 

Roger Cole

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I guess I need to buy a case of FP4+ before it goes away like Plus-X did. I'm sure it will be the first line cut by the new vultures (er, owners)

I fear much more for the loss of Pan F+ and, especially, Delta 3200 than for FP4+.


Sent from my iPhone using Tapatalk and 100% recycled electrons - because I care.
 

blockend

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Lighthouses are very cool...

Ken

They are indeed. I recall a visit to the Longstone lighthouse when it was still manned in the 1980's, a few years before its automation. It was the location of Grace Darling's famous exploits rescuing the passengers of the Forfarshire, 200 years ago this month http://www.gracedarling.co.uk/index.html. The cottage where I stayed had a map of wrecks on the islands dating from the C17th - and no doubt long before - to U-Boats in WW2, and literally dozens of ships went down within a square mile or so. A salutary lesson in what sea travel meant.

I've been shooting a lot of Agfa Vista (rebranded Fujicolor) 400 at 100 ISO, and home developing. The colours are as attractive as any I've seen from colour negative stock.
 

skorpiius

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HI, new to APUG (first post actually), but recently I have used a few rolls to test out old cameras: Fuji Velvia 100 (120, Kodak Hawkeye Flash Outfit & Yashica LM), Portra 160 (127 spools, Ansco Cadet II), and Fuji Superia 200 to test out my old Pentax PZ-1
 

Sirius Glass

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HI, new to APUG (first post actually), but recently I have used a few rolls to test out old cameras: Fuji Velvia 100 (120, Kodak Hawkeye Flash Outfit & Yashica LM), Portra 160 (127 spools, Ansco Cadet II), and Fuji Superia 200 to test out my old Pentax PZ-1

Welcome to APUG
 

Black Dog

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HI, new to APUG (first post actually), but recently I have used a few rolls to test out old cameras: Fuji Velvia 100 (120, Kodak Hawkeye Flash Outfit & Yashica LM), Portra 160 (127 spools, Ansco Cadet II), and Fuji Superia 200 to test out my old Pentax PZ-1

Hello and happy APUGging! A bunch of Fuji Astia in my trusty C330 and some Superia 400 in my Trip.
 
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LomoChrome Purple XR, believe it or not. I was going to bring this to Europe, but ended up shooting only black and white. Can't wait to see how the pictures turn out.
 

Truzi

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As we speak (so to speak) - Fuji Superia 1600 @ 1000. Trying to photograph the lunar eclipse, and my first attempt using "Looney 11."

(The clouds are not cooperating.)
 
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As we speak (so to speak) - Fuji Superia 1600 @ 1000. Trying to photograph the lunar eclipse, and my first attempt using "Looney 11."

(The clouds are not cooperating.)

Did it work? Where are you?

Ken
 

Truzi

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I'm in Cleveland, Ohio. There were some very small breaks in the clouds, and not completely clear breaks (and a lot of light pollution), but I managed to take some photos. The question is whether they will come out. I was just winging it, having a little fun.
 
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Cool...

I'm northeast of Seattle, Washington. Clear skies, but only visible about 8 degrees above the horizon at maximum. I only saw it low in the sky and through some trees. No photos though. Hope yours turn out.

Full (and new) moons are earthquake weather as well. We had a small one last weekend while I was pressure washing the roof. Hopefully no more through the next week, or so.

Ken
 
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