What films did you shoot most recently? (Part 2)

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benjiboy

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I'm shooting some of the original Fuji Velvia 50 out of my freezer.
 

StoneNYC

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Had 3 opportune moments today :smile:

2 8x10 sheets of Portra100T
1 8x10 sheet HP5+
A few frames of 35mm Provia100f

:smile:
 

Truzi

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Some Fuji 200 and Kodak Gold 200 on another day-trip to Put-In-Bay.
 

Regular Rod

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One more sheet of FOMAPAN 100 today, standing in the middle of the river Wye in Miller's Dale...

RR
 

MattKing

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I'm still traveling, nothing is developed, hoping border patrol doesn't destroy them when I get to the US!

Hope you have proof of DOB for your nude models :devil:
 

StoneNYC

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Hope you have proof of DOB for your nude models :devil:

I have a model release at least and they were all older than 19 so I'm good. And the release states they agree that the release laws pertain to the USA, or rather that even if they are from somewhere else or taken somewhere else US law prevails. It's basically the standard Getty release with some personal modifiers.

Edit: BUT much of the work was digital, only a few frames were film, it was a crappy light situation mostly lol.
 
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BradleyK

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A couple of rolls of PanF Plus and a roll and a bit of E100G in the 500c/m (landscapes/nature) and a part roll of Tri-X in the M6 (a parade of tourists, the majority holding iPads to their faces, recording the vista at Lake Louise...too obvious to resist lol).
 

StoneNYC

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A wander around the markets with a couple rolls of 400VC in the C220. And some Neopan 400, but still 1/3 of that roll left.

Yea, that's the problem with roll film... Shot a few frames of 35mm Provia100f of my grandpa 95 playing mini golf. That roll has models and landscapes and now my family. Weird mix...

Roll of 120 Neopan400@800 with 2 frames left from a model shoot... What the heck should I shoot? To finish it?
 

Sirius Glass

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A couple of rolls of PanF Plus and a roll and a bit of E100G in the 500c/m (landscapes/nature) and a part roll of Tri-X in the M6 (a parade of tourists, the majority holding iPads to their faces, recording the vista at Lake Louise...too obvious to resist lol).

That is why I have two Nikon SLRs one for color and on for black & white.
 
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A single 35mm test roll of Ilford HP5+ while prototyping a possible project. The first roll of 35mm in a couple of years for me.

Ken
 

Dr Croubie

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just shot my first 2 rolls of delta3200 in 135 (although I've gone through a ton of the stuff in 120).
On my Bessa R3A, trying out the new red-P Jupiter 50/2 indoors to see if it renders as smooth as a Sonnar is meant to.
Devved in microphen, with 40% extra time because of reuse it was 10 mins at 24C, the negs look perfect.

Of course, I can't look at them big yet, my pc is recompiling itself so I can't scan, maybe I'll just contact-sheet them and get a loupe (I'm not wasting 76 8x10 sheets just to see what they look like)


Also, a roll of 120 FP4 non-plus exp 1979, shot at ei50 and not devved yet.
 

John_A

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One E100G in a Fm2, and a Delta 3200 in a F90x.
Soon starting on a Superia 1600.
 
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the new red-P Jupiter 50/2

All Jupiter-8 lenses are the same: some might have differences due to lack of quality control, but more often it is the use they had that matters most. The red P just means that it is coated. They dropped that marking in the 60s when all lenses became coated anyway. Nikon and others did the same.
Most Jupiter-8 were made by KMZ, but some were made by other factories. The Contax mount lenses were made from 1954 by Arsenal. The LTM mount ones were made mostly by KMZ, but also by GOMZ and Arsenal. Look at the factory marking to see where it was made.

it renders as smooth as a Sonnar is meant to

The Soviet Jupiter-8 had to be recalculated as the glass used was different from the German glasses used in the Sonnar.
You'll find more info here: http://www.sovietcams.com/index.php?-483601546
 

Nuff

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I have loaded a roll of velvia into my Pentax MX, I only took 3 photos. I need some practice with it, since I'm going on a trip overseas and I need some practice with this film. My stock of E100VS is getting smaller.
 
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