TheFlyingCamera
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I've been alternating between Ektar 100, Portra 160 and some expired Fuji NPS 160. I have a few remaining rolls of Reala for 35mm, which I might buy more of again, but lately I've been on a Kodak kick.
What films did you shoot most recently? (Part 2)
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Forum statistics
Last week:
Plus-X, Portra 160 and Provia in 35mm
Tri-X and Velvia in 120
Plus-X, Portra 160 and Provia in 35mm
Tri-X and Velvia in 120
5 rolls of arista premium 400, 2 rolls tri-x, 2 rolls ektar 100 and 1 roll velvia 100 all 35mm and all in various cameras.
4 rolls of Reala 100 and 2 rolls of Acros 100.
2 rolls of Arista Premium 100
3 rolls of Arista Premium 400
1 Roll of 120 Tri-X
1 Roll of 120 TMY-2
2 Rolls of 120 Portra 400
1 roll of Kodak Ultramax 400
1 Roll of Fuji NPS 160-Expired in 2007, (colors still great)
1 Roll of Moto-Photo 100 (Fuji, I think) , expired about 8 years ago
Kent
3 rolls of Arista Premium 400
1 Roll of 120 Tri-X
1 Roll of 120 TMY-2
2 Rolls of 120 Portra 400
1 roll of Kodak Ultramax 400
1 Roll of Fuji NPS 160-Expired in 2007, (colors still great)
1 Roll of Moto-Photo 100 (Fuji, I think) , expired about 8 years ago
Kent
Finished a roll of Portra 160 and shot a roll of Portra 400 pushed to 800.
Two Tmax 100 in 120 and an Ektar 100 in 120. Metering got screwed up on the B&W, so most images are thin, but the Ektar looks beautiful!
Just sold all of my remaining color film. 
Black and white only from now on; Kodak Tri-X (roll) and Foma 400 (5x7) for as long as it's available. So that will be the film I shot last for some considerable time.
Black and white only from now on; Kodak Tri-X (roll) and Foma 400 (5x7) for as long as it's available. So that will be the film I shot last for some considerable time.
1 Roll Ektachrome 400HC (Expired of Course)
2 Rolls Kodak Elite Chrome
1 Roll TMax 400
1 Roll Arista Premium 100
2 Rolls Kodak Elite Chrome
1 Roll TMax 400
1 Roll Arista Premium 100
Having tons of fun, 9 rolls in the last week...bought a new 35mm camera and needed to do some checking to ensure all was tip top:
5 rolls in tot of Walgreens house brand (200, 400, 800)
2 rolls of Cinerex - (its a neat 35mm x-ray film bought off APUG, ASA 50 or so, fun to mess around with)
1 roll of PanF+
1 roll of HP5+
5 rolls in tot of Walgreens house brand (200, 400, 800)
2 rolls of Cinerex - (its a neat 35mm x-ray film bought off APUG, ASA 50 or so, fun to mess around with)
1 roll of PanF+
1 roll of HP5+
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Kodak Ultra Color 400 135-36
- Joined
- Jun 21, 2003
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- Format
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old tmy 4x5 sheets
Ilford SFX, and Kodak Portra 160.
Ilford SFX (w/ B+W 092).
Tmax 100 and Delta 3200
Ilford FP4+ 120 (as 6x7) and 8x10.
Used plain old box speed for the 8x10, metered with a 30+ year old Sekonic L398 Studio Deluxe selenium incident, and developed per Ilford's recommended time/temp/agitation. The negatives came out perfect. Gotta' love Ilford.
Ken
Used plain old box speed for the 8x10, metered with a 30+ year old Sekonic L398 Studio Deluxe selenium incident, and developed per Ilford's recommended time/temp/agitation. The negatives came out perfect. Gotta' love Ilford.
Ken
Kodak HIE
I just developed my final roll of Kodak HIE, bought for a quid in Jessops in 2010, frozen for a year, thawed out when my freezer died and then refrigerated for a year, then spent a fortnight in my warm darkroom. I photographed buildings in my home town with my Yashica 635 in June/July 2012 using the panoramic setting. This was only the fourth time I've tried HIE. I exposed it through an orange filter and a meter set at EI100. The resulting negatives have a good dynamic range and most are acceptable, and I'm looking forward to printing them. That should give hope to those with some HIE still frozen - it's not as delicate as we thought.
I'm disappointed as there's a tramline right down the filmstrip! So I might have to turn to the dark side. Oh well, I'll try another roll.... oh wait I can't - Mama took my HIE away!
Cheers,
kevs
I just developed my final roll of Kodak HIE, bought for a quid in Jessops in 2010, frozen for a year, thawed out when my freezer died and then refrigerated for a year, then spent a fortnight in my warm darkroom. I photographed buildings in my home town with my Yashica 635 in June/July 2012 using the panoramic setting. This was only the fourth time I've tried HIE. I exposed it through an orange filter and a meter set at EI100. The resulting negatives have a good dynamic range and most are acceptable, and I'm looking forward to printing them. That should give hope to those with some HIE still frozen - it's not as delicate as we thought.
I'm disappointed as there's a tramline right down the filmstrip! So I might have to turn to the dark side. Oh well, I'll try another roll.... oh wait I can't - Mama took my HIE away!
Cheers,
kevs
I don't know what film I shot. I was stupid enough to load something in my RB67 back and then forget what it was again. I've exposed some frames at ISO 100, I hope it's Reala.
I also have 10 rolls of Tri-X in 35mm waiting to be developed.
I also have 10 rolls of Tri-X in 35mm waiting to be developed.
Provia 100F. Here are two long exposure shots (8 seconds or so on a Mamiya RZ) recently taken and developed:
San Francisco at Twilight by Thomas N. Abbott, on Flickr
Oakland Bay Bridge at Twilight by Thomas N. Abbott, on Flickr
San Francisco at Twilight by Thomas N. Abbott, on Flickr
Oakland Bay Bridge at Twilight by Thomas N. Abbott, on Flickr
Tri-X 12O and ADOX CHS 100 ART 4"x5", both processed in Pyro-HD, FORMIDABLE!
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