looks to me that the main issues is incomplete bleach (very dark image despite long fist development plus solarisation).
I never used a hydrogen peroxide/vinegar bleach, I suspect it's not a vry reliable way of bleaching for reversal.
not sure where this claim started, but I used LED film lights for re-exposure many times and never had problems.I thought LEDs were not a good light source (something to do with the spectral output?)
As said I have no experience with that bleach, but in the case above if it worked fine, then it would have bleached away the silver from the first exposure, thus there is no way the negative could be as dense (unless it was massively underexposed). bleach failure is pretty much the only explanation for the strange greenish color cast and and strange solarisation though.The peroxide bleach has worked fine when I've used it.
If you're averse to using dichromate/permanganate, there's an alternate bleach
not sure where this claim started, but I used LED film lights for re-exposure many times and never had problems.
thinking of it this way:
If LEDs wouldn't work properly for re-exposure, they wouldn't work proprly for the first camera exposure to start with, yet we all took plenty of photographs under LED lighting.
In my case, I used the peroxide/vinegar bleach as that is what I could easily obtain, and it worked well for me. Depending on where you live, not all chemicals (or commercial products) are easy to obtain, so you work with what you've got.As said I have no experience with that bleach, but in the case above if it worked fine, then it would have bleached away the silver from the first exposure, thus there is no way the negative could be as dense (unless it was massively underexposed). bleach failure is pretty much the only explanation for the strange greenish color cast and and strange solarisation though.
getting good reversal results is challenging enough with a good bleach, so why use something experimental? Dichromate is pretty fool proof but has serious health and environment risks. So permanganate is the next best thing.
As others have advised, use a proven bleach like Dichromate/Permanganate and a stronger first developer. Reversal processing is unfortunately a long and laborious process and there is no need to make it more painful by using suboptimal choices for bleach and first developer. If D-76 is all you have currently with you, you can make it more active by adding some Sodium Carbonate to it. If you search this forum for Hans F. Dietrich you will find an adaptation of D-76 for reversal.
It often is, because there are strict restrictions in many countries in obtaining sulfuric acid, potassium dichromate, and even potassium permanganate, which has been classified as a drug precursor. Some people cook amphetamines using this, and the governments react by banning the chemicals altogether.
Yes - I think that's absolutely right.looks to me that the main issues is incomplete bleach (very dark image despite long fist development plus solarisation).
I agree.the other things hat look possibly problematic to me is using D-76 1+1 will give low contrast slides on normal film, the first developer time looks very long to me, and a flashlight on short distance seems more prone to unevenness than a larger light from further distance.
Moreover it's easy to check the bleaching even during the process itself: I use to use permanganate with sulfuric acid.getting good reversal results is challenging enough with a good bleach, so why use something experimental? Dichromate is pretty fool proof but has serious health and environment risks. So permanganate is the next best thing.
2. 250mL 3% hydrogen peroxide + 15mL White vinegar bleach for 7 minutes
Ignoring the minor uneven developing issues why did the positives come out so god damn dark?
Bingo.
Try a regular B&W bleach using permanganage or dichromate.
The peroxide bleach has worked fine when I've used it.
3. Bleach @30c for 15 minutes
Permanganate is hard to get here.
3% concentration....
Which concentration of hydrogen peroxide were you using?
3% concentration.
Because we had such a spring-like weekend (gale force winds, rain, low cloud....) I thought I may as well do another reversal experiment. Inside!
Since we were in the clouds, there wasn't much natural light. Wanting to keep the shutter speeds repeatable meant the aperture was a bit wider than ideal for focus, but exposure wise it worked OK (slowest shutter was 1 second). Film was Fomapan 100 shot at 100.
I shot metered (camera + light meter in agreement), 0, -1, -2, +1, +2, +3
1. 1st developer: PC-TEA 1+25 @ 25C (saved for use as 2nd developer) for 15 minutes
2. Rinse a couple of times (bringing temperature up to 30C)
3. Bleach 30 minutes at 30C (350ml hydrogen peroxide plus 21ml white vinegar)
4. Reexposure (on reel)
5. 2nd developer: PC-TEA 1+25 @ 25C (re-used from 1st developer) for 15 minutes
6. Fix (probably not necessary?)
7. Wash
Here's an iPhone shot with the postives on a light box. For scanning, +1 looks best, box speed looked like it should project OK though.View attachment 409378
When the weather next co-operates I'll shoot some outside test scenes and try the same process again.
3% concentration.
Because we had such a spring-like weekend (gale force winds, rain, low cloud....) I thought I may as well do another reversal experiment. Inside!
Since we were in the clouds, there wasn't much natural light. Wanting to keep the shutter speeds repeatable meant the aperture was a bit wider than ideal for focus, but exposure wise it worked OK (slowest shutter was 1 second). Film was Fomapan 100 shot at 100.
I shot metered (camera + light meter in agreement), 0, -1, -2, +1, +2, +3
1. 1st developer: PC-TEA 1+25 @ 25C (saved for use as 2nd developer) for 15 minutes
2. Rinse a couple of times (bringing temperature up to 30C)
3. Bleach 30 minutes at 30C (350ml hydrogen peroxide plus 21ml white vinegar)
4. Reexposure (on reel)
5. 2nd developer: PC-TEA 1+25 @ 25C (re-used from 1st developer) for 15 minutes
6. Fix (probably not necessary?)
7. Wash
Here's an iPhone shot with the postives on a light box. For scanning, +1 looks best, box speed looked like it should project OK though.View attachment 409378
When the weather next co-operates I'll shoot some outside test scenes and try the same process again.
Yeah, could probably half that (previously I'd done 15 minutes), but since (AIUI) you can't over do it, why not. Not like I was in a rush to get outside.Looks good but man, half an hour in the bleach? This article says that if you run it at 40 it would only Take 10 minutes.
Film was Fomapan 100 shot at 100.
OK.Fomapan 100 is said to be unsuitable for reversal.
Yeah, could probably half that (previously I'd done 15 minutes), but since (AIUI) you can't over do it, why not. Not like I was in a rush to get outside.
Fomapan 100 is said to be unsuitable for reversal. And it has a very dense base, not good. Foma make R100 which is specific for reversal.
I would suggest trying first with Ilford FP4 or HP5.
Fomapan 100.
Contrast control wasn't super-duper. That's because I did this one sheet for fun and basically winged all aspects of it; exposure, 1st dev, etc. I recall the bleach involved a cleaning product from a local drugstore.
No doubt one could optimize it. I just thought 'neat' and moved on.
It is correct that the base on the 135 version is tinted. Some people may find this to be an issue. Some won't. It's not a particularly dark base, or strongly tinted.
I bet @Ivo Stunga has tried reversal processing F100. He's put a heck of a lot more time into this than I ever have.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?