Simple question: Would I be wasting my time by using any of this?
I would not use in a Holga. You need something with control as to compensate for loss of speed.
If you aren't using the film for something that you need a result from, they could be fun, even if unpredictable.
Of course with Holgas and other "toy" cameras, unpredictable is both a blessing and a curse.
XP4 is a B&W film designed for processing in C41 (normally colour) chemicals. It is usable if developed in normal B&W chemicals, but unless you want to add another layer of unpredictable ....
I practice with grossly expired film. TMY expired in 1996, refrigerator stored, I'm guessing 2 stops of base fog. I used some yesterday. I bought a couple 100 sheet boxes in 2001.. I use fresh film for the most part.
Overexposure helps to build contrast, maybe a good approach. Slightly age fogged black and white film can give nice soft results.Pretty much this.~3 years ago someone gifted me a bag of about 40 rolls of 120 film with expriations ranging from 2002 back to 1986. I've shot about half of it. Most of it isn't anything I'd shoot for real purposes, but its fine to practice. I recently got a few horseman 6x9 back and ran the old film through them to ensure that the frame spacing was correct. Some of it has suprised me. The PXP rolls, I thinkg from the late 90's needed to heavily over exposed (EI 25), on the other hand, I shot a roll of Ektachrome 100 speed (EPP? I think) at 80, and found it a little over exposed (and significant color shift towards the blue.) I'm mostly down the the harder stuff to shoot--Tech Pan, Ektachrome Tungsten balanced film, Kodachrome, Verichrome Pan (the verichrome has a /lot/ of fog at this point.) So at this point I'd shoot it all, just don't rely on it to work like unexpired film.
I would shoot them with reckless abandon! I've got films that are older and still look great!
Pretty much this.~3 years ago someone gifted me a bag of about 40 rolls of 120 film with expriations ranging from 2002 back to 1986. I've shot about half of it. Most of it isn't anything I'd shoot for real purposes, but its fine to practice. I recently got a few horseman 6x9 back and ran the old film through them to ensure that the frame spacing was correct. Some of it has suprised me. The PXP rolls, I thinkg from the late 90's needed to heavily over exposed (EI 25), on the other hand, I shot a roll of Ektachrome 100 speed (EPP? I think) at 80, and found it a little over exposed (and significant color shift towards the blue.) I'm mostly down the the harder stuff to shoot--Tech Pan, Ektachrome Tungsten balanced film, Kodachrome, Verichrome Pan (the verichrome has a /lot/ of fog at this point.) So at this point I'd shoot it all, just don't rely on it to work like unexpired film.
I would shoot them with reckless abandon! I've got films that are older and still look great!
Start shooting it. You will quickly see what is good and what isn't. Then shoot accordingly.
Even free expired film is a waste in chemicals and time.
Even free expired film is a waste in chemicals and time.
I don't throw it [expired film] out if it has an interesting or historic box.If the expired film was refrigerated or frozen or even just at a cool temperature, it has not gone bad. I have a freezer loaded with "expired" film and it is all still good. If fresh film is kept for many multiple months in a trunk or glove compartment of a hot car in a hot climate, it may be bad. So the quoted statement cannot be taken at face value. More storage information is needed.
I don't throw it [expired film] out if it has an interesting or historic box.
My own guidelines for use are base fog maximum around 0.2 log d. Greater than that it is just a choice of throwing out processed negatives or throwing it out prior to processing.
True, some slow-speed film is amazing in its ability to last, but I don't use slow speed film. So I should mention that I'm mostly using 400 ISO film only since the 1980s and my experience is based on that.
Even free expired film is a waste in chemicals and time.
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