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washing negatives - Does the fixer leach out?

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Harry Lime

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Hello everyone -

When you wash negatives is the removal of fixer etc. more of a leaching process, than an actual washing process due to the constant flow of water over it's surface?

If you were in a location where you did not have access to a lot of running water, could you 'wash' a negative by changing the water in the tank every few minutes via a slow flow from the tap, rather than the usual high flow with bubbles etc? I'm guessing you would have to bump the wash time somewhat.


Thanks,

HL
 
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ILFORD recommend this for film - take a look at their film development PDF on the ilfordphoto.com website.

Typically, I fill the tank with water, invert 5 times, dump. Then same for 10 inversions, 20 inversions, 30 inversions and finally another 20. then one fill of distilled water with a little ilfotol in it and job done. I understand the thinking is that a small amount of reisdual fixer is actually beneficial for longevitiy and this method seems to leave the desired amount.
 
It's a simple diffusion process, the rate of which depends on the concentration gradient, so yes, leaching is an entirely fair description.

Ilford's recommendation when using a non-hardening fixer is 5 - 10 - 20 inversions (fresh water each time). You do not need to wait 5 minutes between changes or anything else, regardless of advice elsewhere to the contrary.

Almost no-one believes that this will work (despite the fact that you can test it by any means you like) so everyone gives more.

I generally do 5 - 10 - 20 inversions with tap water (super hard where I live), then dump and refill with distilled water and leave it in there until I transfer it to the final distilled water/wetting agent rinse for 30-90 seconds.

With hardening fixer -- inexplicably popular in the United States and Japan, little used elsewhere -- you're on your own.

Cheers,

r.
 
I actually just let my negatives soak in 3 changes of water. I am never in any rush when developing, so I use the time to clean up my work area. Instead of doing 5-10-20 inversions, I do 10-10-10 minutes.
 
You clean up your work area? Are you sure your name is Gainer?
 
I actually just let my negatives soak in 3 changes of water. I am never in any rush when developing, so I use the time to clean up my work area. Instead of doing 5-10-20 inversions, I do 10-10-10 minutes.

A little agitation is not a bad idea. I am sure you are aware of this, but others may not know that the old ideas about 'heavy, hypo-laden water' are simply not true. Because it's a simple diffusion process, bringing cleaner water into contact with the film is a very good idea indeed.

Also, most manufacturers recommend minimum wet time, and the 5-10-20 inversions allows the process to be over in 5 minutes or less, not half an hour, during which time the gelatine swells still further and becomes even more tender.

Cheers,

R.
 
A little agitation is not a bad idea. I am sure you are aware of this, but others may not know that the old ideas about 'heavy, hypo-laden water' are simply not true. Because it's a simple diffusion process, bringing cleaner water into contact with the film is a very good idea indeed.

Also, most manufacturers recommend minimum wet time, and the 5-10-20 inversions allows the process to be over in 5 minutes or less, not half an hour, during which time the gelatine swells still further and becomes even more tender.

Cheers,

R.


I agree with what you are saying, but fear that 35 inversions do not provide enough time for the fixer to diffuse from the emulsion. As for the swelling, I figure that I use TF4, which keeps my fixing times short, and if I were to use a hardening fix, without hypo clear, I would need to fix for a longer period anyhow. If I ever notice damage to the emulsion, I'll dig up this thread and post about it.
 
For how long has Ilford published their 5-10-20 method? I'm curious to see what the success rate has been.

Oh, and Dave, imagine how much exercise Leon is getting, doing 5-10-20-30-20! Lean, mean film developing machine!

- Thomas
 
I agree with what you are saying, but fear that 35 inversions do not provide enough time for the fixer to diffuse from the emulsion. As for the swelling, I figure that I use TF4, which keeps my fixing times short, and if I were to use a hardening fix, without hypo clear, I would need to fix for a longer period anyhow. If I ever notice damage to the emulsion, I'll dig up this thread and post about it.

Well, as I said, we all fear that, which is why we all wash for longer, including me. But amazingly, no test I have yet seen has found that the film is not fixed to ANSI archival standards, even with that astonishingly short immersion. I'm not familiar with TF4 but use a conventional film-strength fixer (Ilford) and have tested the film (not for years) and found that it works. And like you, I still don't fully believe it...

Cheers,

R.
 
I believe it because it's convenient... :smile: Saves water and time. Even if your negatives last 100 years instead of 110, at least we saved some water and time...

- Thomas
 
[QUOTES=Roger Hicks;454416]
"It's a simple diffusion process, the rate of which
depends on the concentration gradient, so yes,
leaching is an entirely fair description."

A diffusion process predominately and most so after
the first cycle. Diffusion is the movement of molecules
from an area of higher concentration to an area of lower
concentration; fixer moves into the water and water
moves into the emulsion.

"Ilford's recommendation when using a non-hardening fixer
is 5 - 10 - 20 inversions (fresh water each time). You do not
need to wait 5 minutes between changes or anything else,
regardless of advice elsewhere to the contrary."

Like one or two others posting to this thread I use a relaxed
Ilford sequence. I've clean up to do as well. In with the water,
a few inversions, sit a while, a few more inversions then out and
in with fresh water. I allow for all the inversions but consider the
sit and diffuse time important and a better use of the water.
Start to finish, about ten minutes. Distilled water 1/2 liter
per change, room temperature.

"I generally do 5 - 10 - 20 inversions with tap water (super hard
where I live), then dump and refill with distilled water ..."

Super hard tap water. Impurities. I've hard water and
avoid insoluble silver thiosulfate complex formation by
the use of distilled water from the very start. I know,
pure water is not recommended for washing as it
takes some more time. Dan
 
[QUOTES=Roger Hicks;454416]

Super hard tap water. Impurities. I've hard water and
avoid insoluble silver thiosulfate complex formation by
the use of distilled water from the very start. I know,
pure water is not recommended for washing as it
takes some more time. Dan

I had never heard that - why would pure water take longer to wash?
 
I had never heard that -
why would pure water take longer to wash

It has to do with the hca property of water contaminated
with types of chemistry which if present speed washing.

My precaution deals with films and papers taken from a
fixer laden with silver thiosulfate complexes and then set
in impure water. The sodium and ammonium complexes are
soluble but some water impurities may form very insoluble
complexes. They may precipitate in or on emulsions
and dirty the fixer. Dan
 
[QUOTES=Roger Hicks;454416]

Super hard tap water. Impurities. I've hard water and
avoid insoluble silver thiosulfate complex formation by
the use of distilled water from the very start. I know,
pure water is not recommended for washing as it
takes some more time. Dan

I had very hard water in Paris, combined with little particulates of calcium that were visible. I solved the problem without resorting to buying distilled water. I just used water-softening crystals of the sort that were sold in every grocery store for dishwashers. I think they were just a larger granulated form of Calgon. About a teaspoon per liter did the trick plus 3-4 drops of Photo-Flo. In my case, I would do either a 1-minute running water wash or several fill-and-dumps using the regular tap water. Then for the final fill, I would use the liter of "softened" water with the Photo-Flo that I had mixed up (it could be re-used for many rolls before needing to be replaced). This left my negs streak free and thoroughly washed.

Larry
 
It has to do with the hca property of water contaminated
with types of chemistry which if present speed washing.

My precaution deals with films and papers taken from a
fixer laden with silver thiosulfate complexes and then set
in impure water. The sodium and ammonium complexes are
soluble but some water impurities may form very insoluble
complexes. They may precipitate in or on emulsions
and dirty the fixer. Dan

Umm - what does hca stand for?
 
Dear Dan,

Yes, of course, there is initial plain washing-off, not diffusion -- and as K.C.D. Hickman pointed out, you're washing the tank at least as much as the film. But this happens anyway with any wash. After the first wash, as we agree, it's a simple diffusion process depending on the diffusion gradient, but I'd dispute your assertion that 'pure water diffuses in' which is a bit like saying 'letting the cold in' rather than 'letting the heat out'. Yes, water taken up by the gelatine, but this is nothing to do with the diffusion required for washing, which is getting the fixer (and fixer products) out.

Letting it sit won't do any harm, provided it's not absurdly long, but it's not actually needed; I was referring to the Anchell and Troop exhortation that you should always let the tank sit for 5 minutes at each stage: no-one else I know, who is familiar with this washing technique and has tested it properly, agrees. And, of course, minimum wet time = minimum fragility and swelling + minimum drying time. C.E. Ives suggested that spray washing can reduce wash times by a factor of 50 as compared with low-agitation immersion methods.

As for 'super hard tap water. Impurities', I'd be interested to know what 'insoluble silver thiosulphate complexes' you have in mind. After all, wash-aid is impure water, and to quote Haist p. 671) '...pure water makes a poor washing medium. Hard water with dissolved salts, especially bicarbonates, or soft water with sodium bicarbonate present at a fraction of a gram per liter, is superior to pure water in washing power...' Similar observations are made by every other authority; I have never seen any references to 'insoluble silver thiosulphate complexes' as a result of washing in hard water. If you can provide references, I'd be intrigued.

Cheers,

R.
 
Hi All,
In response to Thomas asking for how long Ilford gave this advice, I must say that I learned B&W process in the early seventies and this was the way I was told to wash film.
Last but not least, a German guy (I think he is German) had done a nice test job on washing. He confirms the Ilford washing procedure. You'll find the results here :
http://www.geocities.com/ResearchTriangle/Thinktank/5693/photogra.html
Last but not least, I had a print course given by a renowned French printer running a comercial printing lab in Paris. In order to be sure to deliver archival prints to his customers, he had it's process checked by scientists and improved by them to reduce water consumption (water is metered in France and paid at a premium price now because production has gone from public to private).
He does print washing by transfering prints sgeeged from an emptied tray to a full tray of fresh water repeat the process after the emptied tray is full of fresh water for an half an hour. He let the less skilled assistant process them ......
 
It's a simple diffusion process, the rate of which depends on the concentration gradient, so yes, leaching is an entirely fair description.
Not quite. The first few moments of washing can be approximated by simple diffusion process but not the later half of the washing period. Washing of fixer is actually a two-stage process. The first is desorption and the second, diffusion. So, the time-concentration function is actually a doubly exponential function with two time constants associated with it.

The reason why first few moments can be approximated by a simple diffusion process is because it is still governed by the diffusion process of smaller time constant. Or you can think of there are many non-adsorbed thiosulfate and silver-thiosulfafe complex ions that do not require the desorption process to come out.

Almost no-one believes that this will work (despite the fact that you can test it by any means you like) so everyone gives more.
I believe it works but I give much more time for the last wash (tho not agitating for the entire duration) is to remove sensitizing dye.
 
My precaution deals with films and papers taken from a
fixer laden with silver thiosulfate complexes and then set
in impure water. The sodium and ammonium complexes are
soluble but some water impurities may form very insoluble
complexes. They may precipitate in or on emulsions
and dirty the fixer. Dan

Who told you that? The kind of silver-thiosulfate complex that are difficult to come out are actually very sparingly soluble in water and you are SOL even if you used pure water for that matter. To prevent this, (1) don't let fixer exhaust (2) use two-stage fixation if you need to be iron clad fail-safe (3) use sulfite based washing aid. Washing aid is very helpful in your situation.
 
[...]it's a simple diffusion process depending on the diffusion gradient, but I'd dispute your assertion that 'pure water diffuses in' which is a bit like saying 'letting the cold in' rather than 'letting the heat out'. Yes, water taken up by the gelatine, but this is nothing to do with the diffusion required for washing, which is getting the fixer (and fixer products) out.
Refer to my earlier post for that washing is not a simple diffusion process.

Also, not that this makes a significant difference with modern films, extra swelling of gelatin can affect the diffusion process because the diffusion path will be longer with swollen gelatin.

Letting it sit won't do any harm, provided it's not absurdly long, but it's not actually needed; I was referring to the Anchell and Troop exhortation that you should always let the tank sit for 5 minutes at each stage: no-one else I know, who is familiar with this washing technique and has tested it properly, agrees.
Well, is this the only thing in Anchell and Troop that no one else agrees?

I have never seen any references to 'insoluble silver thiosulphate complexes' as a result of washing in hard water. If you can provide references, I'd be intrigued.
I don't mean to intrigue you unnecessarily but if you wash fixed film in strong KBr solution there will be some insoluble silver thiosulfate salt, often called "B-salt" in photographic chemistry.
 
Refer to my earlier post for that washing is not a simple diffusion process.

I don't mean to intrigue you unnecessarily but if you wash fixed film in strong KBr solution there will be some insoluble silver thiosulfate salt, often called "B-salt" in photographic chemistry.

First point taken; simple ignorance on my part.

Second point: that would be pretty weird hard water.

Cheers,

R.
 
Umm - what does hca stand for?

Been busy. What does hca stand for? It stands for
hypo clearing agent; also known as wash aid. KHCA
is Kodak's version. There are many. Of the many on
the market by far the majority, perhaps all, are based
on one or two sulfites; sodium and or ammonium.

I think all are of the one-size-fits-all design. I've not
read of any hca that wouldn't do for film or paper, acid
or alkaline wash water. For the most part the use of a
wash aid is confined to fiber base papers for which it
is much recommended. It's use follows fixing and a
rinse may or may not immediately precede. Dan
 
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