There's a difference between not exhibiting your work in a formal setting and refusing to show it to anyone, locking all your THOUSANDS of rolls of film in a storage facility. She was practically a hoarder when it came to her processed (and unprocessed) film. And according to that documentary, she was a hoarder in other aspects of her life.I own the documentary. I always find it interesting that Maloof cannot comprehend, at all, at several points in the doc, as to why in the world she wouldn't want to show her work to people. I think that reflects a little about the younger generation's obsession with fame, but also ignores the fact that there are thousands of people out there taking photos all the time, and some of them, probably, have produced great work as well that has never seen the light of day. I'm not producing any great work at all, but as a single, introverted, middle-aged woman who has never shown her work publicly (except for one student group show), I certainly identify with Maier quite a lot. I think too, if we consider her background, that she probably would have felt out of her element, or maybe even a fraud in the art world (I know I certainly do). There's a certain privilege to being able to do art, whatever it is, full-time, and generally has been the preserve of the upper classes (mainly men, mainly white), or people who were funded by them, whether directly or somewhat adjacently. She was a nanny working for these people - how many other examples do we have of artists in these "lower" positions in society obtaining fame and fortune?
It seemed to me that she was intentionally hiding her work as a control mechanism, not just a lack of ambition or a fear of rejection.