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- Aug 31, 2006
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Interesting information, thanks for posting. The huge demand for ColorPlus 200 film is IMHO a clear indication that people need reasonably priced film. Ektar and the Portra films are fine, but they get expensive if you shoot a fair amount of film, E6 films even more so.
- there are some hints from very reliable sources that Fujifilm is reintroducing a color film globally next year (but this is not officially confirmed yet).
That would certainly be nice.I pray this is Reala.
I pray this is Reala.
most of the Kodak one time cameras I have seen are loaded with Max 800, which they only seem to sell in one time cameras.Is color plus the film being used in their throwaway one time use cameras? That maybe the reason for the large demand then from people who have regular film cameras.
This is great news! But it begs the question, how long before one of these ailing camera companies (Olympus comes to mind) decide that producing a new film camera is in their best interest? Clearly the demand is there...
Interesting thought. I wonder what the evidence is for the economically viable demand for a new film camera or even for a resurrection of an old film camera, assuming of course that this would be cheaper and easier which may not be the case? Over to you Henning. What is the evidence and what have you heard from any camera manufacturer, if anything?
pentaxuser
The information that I have is to the effect that they have been so busy with the 35mm/Super 8/16mm film demand that it actually slowed the development work on the 120 and sheet film product.I'm curious--I haven't seen any official statements regarding Ektachrome--did sales meet their expectations, and assuming that there was a drop from the peak at release time, do they see that post release level as something that can justify continued manufacture or even expansion?
(I assume that the project to make E100 for 120 is a tacit admission that demand justifies continued development, I'd just love to hear anything specific.)
Matt's post came in as I am writing, I can imagine it is causing hold ups.The information that I have is to the effect that they have been so busy with the 35mm/Super 8/16mm film demand that it actually slowed the development work on the 120 and sheet film product.
If you have any personal relationships with the Kodak administration, I hope you will tell them about the complaint of the Egyptian Analog Society.Dear forum members and film enthusiasts,
I have very positive and encouraging news from Kodak (Eastman Kodak and Kodak Alaris) for you.
Very important:
This is official information from Kodak Alaris! It is one of the results of an important conference call of EK / KA in Rochester, KA in UK and KA in Germany.
I've got it directly from them. And I have asked for permission to publish it and they have given me the permission to publish it.
The news:
1. The global film orders (demand) for Kodak films are surpassing the current production capacity (converting / finishing) by far.
2. This is caused mainly by the general demand and market increase (film revival), but Kodak is also benefitting from film discontinuations / package option reductions and price increases by competitors.
3. There is a special problem with Kodak ColorPlus film: The demand is huge, and there are very big backorders. Currently it is impossible to get enough of the needed raw materials on the market to produce enough to get all backorders fulfilled. This situation cannot be changed in the short term. This supply bottleneck will probably last at least until summer 2020.
What is Kodak's reaction to this strong increasing demand:
1. Kodak is investing extensively / extraordinarily in new production infrastructure, which will increase production capacity significantly.
2. This huge investment is absolutely needed to get the results all customers want, but it will take time. It cannot be done "over night".
3. In the meantime Kodak is working very hard and doing all what needed to produce as much film as possible.
Some additional info from me:
- already some months ago Kodak told me that they have to run 35mm film converting in 3-shifts per day to keep up with demand
- to get the film as fast as possible into the market often air transport is used instead of shipping by ship (despite the much higher costs)
- Kodak alone has global film backorders in the two-digit million unit range
- Fufilm has also significant global backoders, but not as high as Kodak
- both Kodak and Fujifilm already have had significant backorders last year at Photokina, and since then demand and backorders have further increased
- there are some hints from very reliable sources that Fujifilm is reintroducing a color film globally next year (but this is not officially confirmed yet).
The film revival is getting stronger.
Best regards,
Henning
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