if you buy a few roller-skate- wheels and mount them onto a flat board, you can do rotary processing in daylight with any tube;Jobo,Patterson etc and it will work fine.I do this with a Patterson tank (with two added rubber bands) on a Beseler rotary base.
The tank is the current Super System 4 tank designed to hold 3x135 or 2x120 reels. The sides of that tank are very close to parallel, and long enough to span the distance between the two wheels on the Beseler base.
I use the AP/Arista wide flange reels designed for Paterson tanks, but the Paterson reels will work too.
My practice, however, is to only use the rotary base for:
1) a 3 minute pre-rinse;
2) the first 30 seconds of development; and
3) the stop bath, fixer, initial rinse and HCA steps.
My reason for using hand agitation for most of the development stage is that I frequently develop two 120 rolls on the same reel, and if I use rotary agitation during development, the film slides around so much within the reel that I have problems with overlap. That doesn't seem to be a problem with all the other stages. My guess is that film in the developer is much slipperier than at any other time.
FWIW, I am currently using replenished X-Tol as developer, after several years of using replenished HC-110.
Copy and paste the link I provided to your browser, it has volume's needed. If it doesn't work send me a pm with your email address and I'll send it to you that way.Not wanting to hi-jack this thread but I am in the same situation.
I've found that the Arista reels work well in the tank but do not know what volume of chemicals I would need to use for development without it pouring out of the tank
It is easy to test for this with water.Not wanting to hi-jack this thread but I am in the same situation.
I've found that the Arista reels work well in the tank but do not know what volume of chemicals I would need to use for development without it pouring out of the tank
I used to have a couple of multi reel drums for mine, I gave them away with all my reels. Look for these:
file:///C:/Users/rick/Downloads/Unicolor_film_drum-sm.pdf
Copy and paste the link to your browser, it should open
FANTASTIC! Thank you Rick. I've been searching for that sheet for ages.Copy and paste the link I provided to your browser, it has volume's needed. If it doesn't work send me a pm with your email address and I'll send it to you that way.
Yes, the tank is baffled but there is a small cap, the cap has a small hole in the middle, it's just there so that the tank will hold more solution when horizontal. I have one where the front lid leaked so I just glued that lid on with silicone glue and load that tank from the back where the piston is. 35mm and 120 reels are pretty common (I have a few new in box if anyone needs them). Much less common is the 110 reel, I have one and it is not for sale since it will also process 16mm.Having trouble finding these on a popular auction site, but from what you're describing and what I'm finding on Google, it seems like the perfect solution. Does this tank have the capability to switch out chemicals (i.e. dump out used developer and add in stop bath) in the daylight, or do I need to turn lights off to proceed to the next step? If so, what is the mechanism that allows liquid transmission without light transmission?
The two roll Paterson tank will just fit on the Beseler base but is too short for most other motor bases, you also need a base that rolls slowly, I have had film unwind with faster RPM's from the Paterson reels, e.g. the King Concept Imagemaker.I do this with a Patterson tank (with two added rubber bands) on a Beseler rotary base.
The tank is the current Super System 4 tank designed to hold 3x135 or 2x120 reels. The sides of that tank are very close to parallel, and long enough to span the distance between the two wheels on the Beseler base.
I use the AP/Arista wide flange reels designed for Paterson tanks, but the Paterson reels will work too.
My practice, however, is to only use the rotary base for:
1) a 3 minute pre-rinse;
2) the first 30 seconds of development; and
3) the stop bath, fixer, initial rinse and HCA steps.
My reason for using hand agitation for most of the development stage is that I frequently develop two 120 rolls on the same reel, and if I use rotary agitation during development, the film slides around so much within the reel that I have problems with overlap. That doesn't seem to be a problem with all the other stages. My guess is that film in the developer is much slipperier than at any other time.
FWIW, I am currently using replenished X-Tol as developer, after several years of using replenished HC-110.
With stainless steel reels you are supposed to use a set of center tubes, you need the tubes to form a light, tight seal, just like Paterson, good luck finding a set of those. The Unicolor reels work OK.I used the Unicolor FilmDrum II on a Uniroller base from 1987 to 2000 for all my rollfilm processing. I used T-max developer and mostly T-max film. I processed at room temp using a time-temp chart. Worked great. I used it with either the original Unicolor plastic reels or with stainless reels.
The reels are made to stack and lock out light but are semi-free to rotate inside the tank. The piston at the nominal bottom of the tank prevents most but not all rotation. And the reel O.D. is almost the same as the film drum I.D. It's not like a BB in a rain barrel. In all the years I've used them I never had a roll of film "half develop".I’m curious: are the Unicolor reels free to rotate on an individual basis, or are the reels somehow locked onto the tank so that they are stationary with respect to the tank? I ask because otherwise I could envisage a reel or reels staying in one position while the tank rotated, meaning half the loaded film above the horizontal developer would never get developed.
It is a well designed system. There are no half developed reels of film.I’m curious: are the Unicolor reels free to rotate on an individual basis, or are the reels somehow locked onto the tank so that they are stationary with respect to the tank? I ask because otherwise I could envisage a reel or reels staying in one position while the tank rotated, meaning half the loaded film above the horizontal developer would never get developed.
The Unicolor FilmDrum II is what I am missing and have been searching for 'forever'I used the Unicolor FilmDrum II on a Uniroller base from 1987 to 2000 for all my rollfilm processing. I used T-max developer and mostly T-max film. I processed at room temp using a time-temp chart. Worked great. I used it with either the original Unicolor plastic reels or with stainless reels.
How strange, I usually see a few on Ebay but not right now.The Unicolor FilmDrum II is what I am missing and have been searching for 'forever'
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