Hi Chris,
Thanks for your information. Rebranded film can be very confusing. I can only say that Kodak never knowingly permits its film to be rebranded.
Unless you sell a gazillion rolls of it, have a business named Freestyle, and sell Plus-X and Tri-X as Arista Premium...Link
But that's the only case I'm aware of to date.
And Ilford has openly stated that they don't do OEM film deals any more, after Harman bought the business following their stint in receivership.
Ilford will, however, manufacture film for others on a custom, "you supply your desired characteristics" basis.
Ilford will, however, manufacture film for others on a custom, "you supply your desired characteristics" basis.
I have been advised that Kodak may also be doing this. Since Kodak no longer manufactures Plus-X the Arista Premium 100 may be a custom formulation.
I have been advised that Kodak may also be doing this. Since Kodak no longer manufactures Plus-X the Arista Premium 100 may be a custom formulation.
Officially, only Plus-X in 120 was discontinued. 135 is still a current product. I have no idea if they are still intending to produce master rolls when the current one is gone.
Now that you mention it you are correct, the 35mm film is still made. Sorry to have prematurely killed Pluis-X.
Now that you mention it you are correct, the 35mm film is still made. Sorry to have prematurely killed Plus-X.
no worries gerald !
i am sure it won't be long before bigK does it for real ...
Ilford will, however, manufacture film for others on a custom, "you supply your desired characteristics" basis.
Frame numbers etc. are Ilford.
Kentmere 100 (aka Ilford Pan 100
Just developed a bunch of the 120 Ultafine film, and found that I could see numbers and dots from the backing paper. This was on rolls that had been through different cameras and on different film backs so it wasn't on my end. Grain was giant and very obtrusive.
I WON'T be buying anymore.
I had bought from ultra fine but just found out my recent batch of 120 film has been fogged in some way that has migrated the film numbers and dots from the paper backing onto the film! When I called to complain an ignorant and rude support person told me too bad. They refuse to do anything about it. Dubious quality film and a rude support staff. Never again!
Curt
Here's my results from Ultrafine 100 in 120 format. Never again. I stick w/ Kodak and Ilford now. If you like circles, dots, and even film numbers on your images, this is your film. As for customer support, I called them on this. A very pleasant woman answered the phone, and said she was going to get someone who knew more than she did about the film to answer my questions. That was a couple of months ago. I'm still waiting.
By the by, Freestyle has Tri-X in 24 exp (35mm) for just $3.99, and the 36 exp is only $4.39 a roll after an instant rebate. We're all going to be kicking ourselves if we pass this one up.
Well having read what the majority has to say about this film especially the recent posts then I find it difficult to accept that some would have me believe that Harman is behind this film. This is a company that at great risk to the directors' own financial future, decided on a management buy-out of the defunct Ilford so a death wish for themselves and the end of the company would hardly be high on their list of objectives. The QC that impresses all who go on the tours ( now on tour 4) is hardly a pretence.
Simon Galley,the other directors and other employees I and others have seen and spoken to on the tours never seemed to show any death wish or desire to go out of business, given that it pays their mortgages etc by employing a "devil may care/ cavalier" approach to their products or those produced at Mobberley and its hard earned reputation for quality.
Based on all I have seen and heard at Mobberley and from other APUGers, Harman and this film's defects would seem to have nothing in common.
I submit that a "Not Guilty" verdict on Harman's involvement is the only one that can be reached
pentaxuser
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