mptcultist
Member
i recently shot photos on EC400(cold-stored, tested) and "Retrochrome 400"(FPP VNF stock) at a gig for "my" band in very low light. i managed to eke out some exposures with both shot at 1600(at f/1.4!!!), but i have serious doubts i'll get usable images in a 2-stop push e6 process because i don't trust my meter(CWA meter in my 7000 AF is very easily tricked by small lights at the venue). i've decided to experiment with some sort of xpro process as i want to develop for the darkest shots that could be on that roll, without ruining the exposures that might be somewhat thin in a positive process due to my somewhat rash use of exposure compensation(hard to keep track of this stuff when you can't feel your fingers and you're trying to manually focus in a moshpit). i can't really go with a c41 xpro due to the runoff contrast of that xpro.
i've therefore decided on formulating some sort of custom negative developer in the hopes of eking out some latitude from a very bad situation, as i've already made some promises to people(thankfully not monetarily, i am very CC attribution) and therefore i can't lose the exposures. i don't really know how to go about this. i have a lot of free time to work on this, but my budget is relatively low, and i'm going in blind. i am therefore asking the people with the most accumulated experience - i.e y'all.
some questions for the chorus:
has anyone here formulated photo engineer's hypothetical "cd3 + citrazinic acid" negative xpro developer that may reduce contrast/gamma to make xpro material more practical? i'm considering starting from the ecn-2 formulas, but i have no idea how accurate that'd be really. my background in photochemistry is staring at wikipedia pages and pouring solutions together from formulas i found on the internet, so i'm very in over my head.
is it even possible to get access to citrazinic acid as someone who has no connections to a lab that could order from someone like fisher or sigma-aldrich? i'm not really an agoraphobe but i don't know anybody that could pull those strings for me and i've recently taken leave from uni which means i can't really get this stuff through there. are its substitutes(h and j-acid) more easily available and has anyone figured out their substitution ratios?
are there any resources that explain how some common color developers function, and how their components interact? i have some vague ideas on how ph and choice of agent affect results, but not much more.
if you've made it here, thanks for reading through all of this and any advice(even if it's "you're screwed, you'd be better off throwing the film in the trash") is appreciated!!!
i've therefore decided on formulating some sort of custom negative developer in the hopes of eking out some latitude from a very bad situation, as i've already made some promises to people(thankfully not monetarily, i am very CC attribution) and therefore i can't lose the exposures. i don't really know how to go about this. i have a lot of free time to work on this, but my budget is relatively low, and i'm going in blind. i am therefore asking the people with the most accumulated experience - i.e y'all.
some questions for the chorus:
has anyone here formulated photo engineer's hypothetical "cd3 + citrazinic acid" negative xpro developer that may reduce contrast/gamma to make xpro material more practical? i'm considering starting from the ecn-2 formulas, but i have no idea how accurate that'd be really. my background in photochemistry is staring at wikipedia pages and pouring solutions together from formulas i found on the internet, so i'm very in over my head.
is it even possible to get access to citrazinic acid as someone who has no connections to a lab that could order from someone like fisher or sigma-aldrich? i'm not really an agoraphobe but i don't know anybody that could pull those strings for me and i've recently taken leave from uni which means i can't really get this stuff through there. are its substitutes(h and j-acid) more easily available and has anyone figured out their substitution ratios?
are there any resources that explain how some common color developers function, and how their components interact? i have some vague ideas on how ph and choice of agent affect results, but not much more.
if you've made it here, thanks for reading through all of this and any advice(even if it's "you're screwed, you'd be better off throwing the film in the trash") is appreciated!!!