Tri-X 4x5 and your favourite developer

Approaching fall

D
Approaching fall

  • 1
  • 0
  • 67
Heads in a freezer

A
Heads in a freezer

  • 4
  • 0
  • 1K
Route 45 (Abandoned)

A
Route 45 (Abandoned)

  • 2
  • 0
  • 1K
Sonatas XII-48 (Life)

A
Sonatas XII-48 (Life)

  • 2
  • 3
  • 2K
Waldsterben

D
Waldsterben

  • 3
  • 0
  • 2K

Recent Classifieds

Forum statistics

Threads
199,694
Messages
2,795,352
Members
100,003
Latest member
cortessaavedra
Recent bookmarks
0

Curt

Member
Joined
Sep 22, 2005
Messages
4,618
Location
Pacific Nort
Format
Multi Format
HC110, because it's what Mr. Adams said to use.:tongue:
I have two fifty sheet boxes of 4x5 but I haven't used it in a long long time. I would most probably use Pyrocat HD if and when I use it.:D
 

jd callow

Moderator
Moderator
Joined
Jan 31, 2003
Messages
8,466
Location
Milan
Format
Multi Format
400 or 320? D76 was my fav for 320, I'm going to do some tests with Xtol and HC110 depending upon desired contrast.
 

BradS

Member
Joined
Sep 28, 2004
Messages
8,124
Location
Soulsbyville, California
Format
35mm
with 320TXP, definitely HC-110. I don't think I've ever even tried another dev with this film. There's no need.
 

removed account4

Subscriber
Joined
Jun 21, 2003
Messages
29,832
Format
Hybrid
my favorite developer to use with xxx is ansco 130 dilute 1:10 +/- or so ...
then i let it stand for about 15 minutes, dump it out and add caffenolC and
adj. for 12 mins ... ( i dbi ) ...

i like the way the film looks - tight grain + smooth.

john
 
Last edited by a moderator:

jovo

Membership Council
Subscriber
Joined
Feb 8, 2004
Messages
4,120
Location
Jacksonville
Format
Multi Format
ID11, 1:1, for 9 to 9.5 minutes @ 68 degrees in 5x7 trays shuffled once every 30 seconds.
 

Tom Hoskinson

Member
Joined
Mar 7, 2004
Messages
3,867
Location
Southern Cal
Format
Multi Format
This question is not intended for advice, but for pure curiosity (and amusement):

What is your favorite developer for Tri-X 4x5 sheet film, and why?

With 4x5 320TXP my developer is Pyrocat - MC. The reason - excellent results.
 

jd callow

Moderator
Moderator
Joined
Jan 31, 2003
Messages
8,466
Location
Milan
Format
Multi Format
Yes I know tx (400 speed) is nolonger made in 4x5, but I have 4 boxes in my freezer.
 

David A. Goldfarb

Moderator
Moderator
Joined
Sep 7, 2002
Messages
19,974
Location
Honolulu, HI
Format
Large Format
ABC pyro for large format because it gives nice highlights and a sharp look, PMK for medium format and 35mm for the grain-masking effect, Acufine for speed.
 

Rolleijoe

Member
Joined
Dec 16, 2004
Messages
524
Location
S.E. Texas
Format
Medium Format
I've used HC-110 and the results were alright, but the 320 is picky about light. So tried Nacco Sensidol, and liked it better. Tri-X LF just doesn't do it for me (I used to shoot APX 400 4x5 which was great stuff). I've switched to Efke 25 and Efke 100, but so far nothing faster that I like. May try something in Diafine....it seems to be the only thing to make T-Mud acceptable for me.
 

Amund

Member
Joined
Nov 18, 2004
Messages
902
Location
Oslo,Norway
Format
Multi Format
ABC pyro for large format because it gives nice highlights and a sharp look, PMK for medium format and 35mm for the grain-masking effect, Acufine for speed.


David, is the contact prints made with ABC-negs visibly sharper from, say a PMK neg?
 
Joined
Jan 21, 2003
Messages
15,708
Location
Switzerland
Format
Multi Format
I'm on my last box of ISO400 Tri-X (TX) sheet film, and I love to use it with Pyrocat-HD. Sharp, nice stain, great contrast. It works really well. How's that for being scientific?! :smile: I just like the results, both for contact printing and enlarging on silver gelatin paper.
I haven't tried it with ISO320 Tri-X (TXP) yet, but one of these days... (2 boxes on the shelf).

- Thomas
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom