Travelling with B&W

Pump House?

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Pump House?

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Deer Lake Infrared

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Deer Lake Infrared

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Tree in warm light

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Tree in warm light

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Sonatas XII-33 (Homes)

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Sonatas XII-33 (Homes)

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24mm

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24mm

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Prest_400

Member
Joined
Jan 1, 2009
Messages
1,462
Location
Sweden
Format
Med. Format RF
I haven't sold the cameras but I just don't shoot 35 anymore
Oh no, don't do it! Jokes aside, I also am not even doing 135 anymore but have it as a stand by. I am in a "party like it's 1999" era, getting automated cameras in the different formats because they are now uncool but still pack a heap of features. Nikon F90 with the 28-105, that would be nifty for travel, but I have yet to test it. Then the 645n, with 16 exposures a roll is quite a good "half frame medium format".

If anything, I have a waterproof underwater camera that I was gifted which I am interested for beach duties so it will probably come along. A miss in my last trip, which involved tropical islands and snorkel, was not getting even some disposable underwater camera.

If you have that Fuji, it's an ultimate MF travel camera. As most medium formats are manual, I do find automation very freeing plus no need to keep reloading very often as with larger medium formats. On a travel setting with more generous shooting it means reloading quite often. BTDT and it's not so pleasant to have to reload while on some hot, crowded street in a large city.
I love the medium formats, the large negatives and look; but to much of an extent most cameras are quite clunky in different ways. Then the electronic ones can have their own issues with age, so hope your Fuji holds well.

The Super Ikonta I have is a nice B&W camera, also had gotten for quite cheap a Perkeo with a Color skopar. For color I am not so accustomed to their results, but the character can be beautiful in BW, and easily serve as a second camera instead of interchangeable back...

About ISO 400, a photo club newcomer with a TLR was very concerned to get a yellow filter for the very reasons of shutter speed limitations to which I rebutted that once he found himself in some shade, he would be wanting even higher ISO than 400. I find no qualms in stopping down to f16-22 in medium format under the sun, and then a filter can knock a stop or more off so this is less of an issue.
 
Last edited:

Sirius Glass

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Joined
Jan 18, 2007
Messages
50,433
Location
Southern California
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My most recent travel confirmed my choice of mainly 400 ISO film. Even in sunny Spain I found myself and my subjects in deep shade or in gentle morning or evening light so often that the one roll of 100 speed film I exposed pressed me into a lot of compromises between handholdable shutter speeds and apertures I wanted.

I travel with ISO 400 film for the same reasons. It reduces the need for a tripod in some cases.
 
Joined
Jan 31, 2020
Messages
1,311
Location
Germany
Format
Multi Format
I find no qualms in stopping down to f16-22 in medium format under the sun

This. Plus I almost never actually expose at EV 15, as even in sunny scenes there is usually something interesting in shade. And a stop of overexposure rarely hurts anyway.
 
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