WARNING, TSA is unpredictable.
At SFO I had a TSA agent open the factory sealed box and tear open the foil bag inside and pull out the roll of 120 film. Then I saw her, and shouted at her. Who knows, she might have unrolled the film to verify it was film. sheeesh.
It was a good thing I wasn't carrying 4x5 sheet film.
That was the last straw, and I switched to digital when I travel.
i've flown to europe a bunch since 2001, including
right after the london subway bombings where the
airport (heathrow) set up scanners like every 50 feet
iso 400. iso 800. never a problem. some film has been
scanned 15-16+ times. last time in mulhouse ( basel europort )
iso800 went through the scanner ( i attempted to have it hand checked they refused
and pointed to a sign on the scanner saying it would be fine, even high iso )and it was fine.
it isn't a matter of luck, unless it is in your luggage, and i have done that too ..
40 rolls of film 200-800 iso, and was fine.
i'm friends with someone who has worked tsa for IDK 15 years.
i haven't seen him in maybe 5 years, but still, even 5 years ago,
your comments would have been completely wrong.
maybe these things you are saying are personal opinions?
My personal opinion to theese facts is quite clear : "under security aspects it is
still not necessary to open 4x5 inch film boxes"
Therefore forget not only 800ISO films
forgot all of your films also kodachrome25 for example if personal luck will change.
And it is suitable to get through massive
steel with a thickness of 25cm (if it is operated on its highest level)
Time have changed my friend
with regards
...
And it is suitable to get through massive
steel with a thickness of 25cm (if it is operated on its highest level)
...
Yes - you qouted me so as I meant it.
The question is not if film is safe by traveling through europe.
The question is :" Do you have luck with
your film by traveling through europe"
Because film is not safe!
Inspected with
the newest equipment.Believe me that that is the true since 2-3 years.
The most effektive fact in this terms are the regulation they have also changed in
a so massive way that there is no doubt at all.
Neverless that some 1000 passengers
of airlines newer identifies r-ray damaged films so as they do with bad
enlargedments in the 80th.
Heard about that still Fuji had problems
by shipping overseas.
But I am not able to verify this info.
Sure they have their special transport
contracts with releable companies but as we know they are only most releable.
It security chefs get in panic because
they know that their job on international
airports isn't so well done as it should
be - they care about "fuji films please
do not x-ray" I am quite shure.
And if the operator dont knew anything
about film he will handle the fuji palette
as suspect stuff.
Perhaps the airport is in regress perhaps
you will wo der aboud brand new velvia100 and doubt overstorage by Fuji.
R-ray damage seems to look different I know this.
with regards
The amount of radiation required to get through 25cm of steel would be incredibly dangerous to passengers, and especially screening agents.
Yes - you qouted me so as I meant it.
The question is not if film is safe by traveling through europe.
The question is :" Do you have luck with
your film by traveling through europe"
Because film is not safe!
Inspected with
the newest equipment.Believe me that that is the true since 2-3 years.
The most effektive fact in this terms are the regulation they have also changed in
a so massive way that there is no doubt at all.
Neverless that some 1000 passengers
of airlines newer identifies r-ray damaged films so as they do with bad
enlargedments in the 80th.
Heard about that still Fuji had problems
by shipping overseas.
But I am not able to verify this info.
Sure they have their special transport
contracts with releable companies but as we know they are only most releable.
It security chefs get in panic because
they know that their job on international
airports isn't so well done as it should
be - they care about "fuji films please
do not x-ray" I am quite shure.
And if the operator dont knew anything
about film he will handle the fuji palette
as suspect stuff.
Perhaps the airport is in regress perhaps
you will wo der aboud brand new velvia100 and doubt overstorage by Fuji.
R-ray damage seems to look different I know this.
with regards
WARNING, TSA is unpredictable.
At SFO I had a TSA agent open the factory sealed box and tear open the foil bag inside and pull out the roll of 120 film. Then I saw her, and shouted at her. Who knows, she might have unrolled the film to verify it was film. sheeesh.
It was a good thing I wasn't carrying 4x5 sheet film.
That was the last straw, and I switched to digital when I travel.
As I refered : You usually can forget all your films.The carry-on scanners will not hurt film up to ISO 800. The baggage scanners will hurt all film.
As I refered : You usually can forget all your films.
This makes no differences between
Portra 800,Hp5,Velvia100,AdoxCMS40.
You have some old Kodachrome25 ?
Forget them (developed as bw) !
Obviously the x-ray damage is as smaler
as filmspeed is far smaler.
Just ordinary trust me please !!!
The carry-on scanners will not hurt film up to ISO 800. The baggage scanners will hurt all film.
As I refered : You usually can forget all your films.
This makes no differences between
Portra 800,Hp5,Velvia100,AdoxCMS40.
You have some old Kodachrome25 ?
Forget them (developed as bw) !
Obviously the x-ray damage is as smaler
as filmspeed is far smaler.
Just ordinary trust me please !!!
Delta 3200 is an ISO 1000 film that builds contrast slowly (making it well suited for push processing).I've taken Delta 3200 from Europe to the states, it went through about five scanners and I can't see any effect whatsoever. I was concerned as it is over the safe ISO level but if there is an issue, I can't see it and I've made some 12"x16" prints from 35mm from the negs.
Yes of cause Sirius Glass that sould beOn my upcoming trip to Europe in May, I will not be taking Ilford Delta 3200 although I could use it on the trip.
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