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Totally fogged film; what caused it?

Valencia

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Can you post a picture of the negatives? That might allow better speculation.
 
My first thought on this was user error not camera.
 
A roll of film that was completely BLACK indicates that it was exposed to light before development.

This is most commonly the case. An alternative explanation would be a very effective fogging agent somehow getting to the emulsion prior to or during development. This is quite uncommon, however. Potential agents that come to mind would be the fogging bath used for E6 (generally based on tin chloride) or a sulfur compound like thiourea or sodium sulfide.
Fogging to light is a more common scenario.

I'd still like to see a sample of the supposedly fogged film to remove any possibility of confusion about what were talking about
 

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If the fixer is bad the entire film will blacken over time. I believe this is a slow process; the film would look fine when taken out of the tank.
 
That photo reminds me of Nanaimo in the winter :smile:.
A computer or tablet screen makes a great backlight.
What we would like to be able to discern is any hint at where the image frames might have once been - including the space between frames, as well as the rebate and the frame numbers.
 
I exposed and processed another roll of film, no problems.
Looks like I used stop bath twice instead of fixer.
You cannot fix stupid!

So try fixing it now.
See what you get.
You can actually turn on the lights once the stop bath is finished - just ask anyone who follows the BTZS regime.
 
I exposed and processed another roll of film, no problems.
Looks like I used stop bath twice instead of fixer.
You cannot fix stupid!

It certainly happens more often than we would like to admit...
Especially when rushing or being mentally somewhere else.
 
Looks like I used stop bath twice instead of fixer.

That won't fog the film. If you didn't use fixer, you would have had to expose the unfixed film to light, and then run it through developer to get a totally black strip of film. If you use stop bath twice, skip fixer and then hang to dry, what you'll get initially is a strip of film that looks milky white with somewhat faint negative images on it. If you then expose that strip of film to intense light for an extended period, it will indeed turn dark. But you would have noticed the milky white appearance initially. How did this strip of film look when you just took it out of the tank and hung it up to dry?
 
That won't fog the film. If you didn't use fixer, you would have had to expose the unfixed film to light, and then run it through developer to get a totally black strip of film. If you use stop bath twice, skip fixer and then hang to dry, what you'll get initially is a strip of film that looks milky white with somewhat faint negative images on it. If you then expose that strip of film to intense light for an extended period, it will indeed turn dark. But you would have noticed the milky white appearance initially. How did this strip of film look when you just took it out of the tank and hung it up to dry?

Given the lack of a meaningful photo of the film in question, I grow more puzzled by this - not less. It seems there are important details missing.
 
No matter, it might be more accurate to retitle the thread. The camera is most likely not to blame. 🙂
 
if you look at the photo closely, you can see some of the frames. TBH I've never bothered to look at film I've developed after stop and before fixing, but it occurs to me that fix actually does two things--it removes the undeveloped silver, but it also clear the base. In that photo it looks possible that the base is still uncleared, thought I'm not 100% sure what that lookes like. I'd suggest re-fixing to see what comes out.
 
if you look at the photo closely, you can see some of the frames. TBH I've never bothered to look at film I've developed after stop and before fixing, but it occurs to me that fix actually does two things--it removes the undeveloped silver, but it also clear the base. In that photo it looks possible that the base is still uncleared, thought I'm not 100% sure what that lookes like. I'd suggest re-fixing to see what comes out.
He could try fixing again, but I really do not think that improper fixing is the problem here. Also, if it were a real lack of fixing to cause a visible density there more than likely would be a milky look to the film in question. I believe we a we are looking at a puzzle that has a piece that the cat ran off with. We'll never be able to put the puzzle together until we find where that blasted kitty cat stashed it. No sense me even speculating anymore. Off to do a little belated camera repair and tuneups.
 
Given the lack of a meaningful photo of the film in question, I grow more puzzled by this - not less. It seems there are important details missing.

Agree, and...
No matter, it might be more accurate to retitle the thread. The camera is most likely not to blame. 🙂

agree; I've changed the thread title.

And indeed, this seems to be a case of @John Wiegerink's Cat. Or Schrödingers. IDK; cats are funny creatures; I don't think they subscribe to the whole business of ownership anyway.
 
No they aren't because the door relies on it's design of baffles that stops light entering and even an open shutter would still leave the edge of the film unexposed. Additionally the film is protected by it's backing paper so even if the door had been opened it's likely an image or two would survive. So if it's totally black all over with no edge marking I think it's been exposed to light at the processing stage.

I you used panchromatic film, remember it needs to be processed in total darkness. Any red or amber light in the darkroom will fog the film!
 
How does a developer per se do what Melvin has described?


Thanks

pentaxuser
I said the same thing to myself, but if something WAY OUT of the ordinary was added to it, who knows. Like I said, I'm done trying to guess on the information we have been given.
 
I you used panchromatic film, remember it needs to be processed in total darkness. Any red or amber light in the darkroom will fog the film!

Yes, I considered this option, which is why thorough inspection of the 'negatives' is necessary. In the case of fogging to red light, it's usually possible to still recognize the image through the heavy fog. If you search this forum, there was a nice example posted around 18 months ago or so.
 
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