A roll of film that was completely BLACK indicates that it was exposed to light before development.
We've been requesting it, but so far.....I'd still like to see a sample of the supposedly fogged film to remove any possibility of confusion about what were talking about
I'd think it to be more of a developer problem. What developer are you using?
We've been requesting it, but so far.....
I wish the strip were on a light table, but it is what it is I guess. I think I'm seeing a film that has been fogged. How heavily I can't tell from the picture, but it seems I can see some light colored object behind the strip show through. Am I wrong?Here it is.
can you try again, holding it up to a window?I wish the strip were on a light table, but it is what it is I guess. I think I'm seeing a film that has been fogged. How heavily I can't tell from the picture, but it seems I can see some light colored object behind the strip show through. Am I wrong?
If it's that black as others said, it's not from the camera.
I exposed and processed another roll of film, no problems.
Looks like I used stop bath twice instead of fixer.
You cannot fix stupid!
I exposed and processed another roll of film, no problems.
Looks like I used stop bath twice instead of fixer.
You cannot fix stupid!
Looks like I used stop bath twice instead of fixer.
That won't fog the film. If you didn't use fixer, you would have had to expose the unfixed film to light, and then run it through developer to get a totally black strip of film. If you use stop bath twice, skip fixer and then hang to dry, what you'll get initially is a strip of film that looks milky white with somewhat faint negative images on it. If you then expose that strip of film to intense light for an extended period, it will indeed turn dark. But you would have noticed the milky white appearance initially. How did this strip of film look when you just took it out of the tank and hung it up to dry?
He could try fixing again, but I really do not think that improper fixing is the problem here. Also, if it were a real lack of fixing to cause a visible density there more than likely would be a milky look to the film in question. I believe we a we are looking at a puzzle that has a piece that the cat ran off with. We'll never be able to put the puzzle together until we find where that blasted kitty cat stashed it. No sense me even speculating anymore. Off to do a little belated camera repair and tuneups.if you look at the photo closely, you can see some of the frames. TBH I've never bothered to look at film I've developed after stop and before fixing, but it occurs to me that fix actually does two things--it removes the undeveloped silver, but it also clear the base. In that photo it looks possible that the base is still uncleared, thought I'm not 100% sure what that lookes like. I'd suggest re-fixing to see what comes out.
Given the lack of a meaningful photo of the film in question, I grow more puzzled by this - not less. It seems there are important details missing.
No matter, it might be more accurate to retitle the thread. The camera is most likely not to blame.![]()
I'd think it to be more of a developer problem. What developer are you using?
No they aren't because the door relies on it's design of baffles that stops light entering and even an open shutter would still leave the edge of the film unexposed. Additionally the film is protected by it's backing paper so even if the door had been opened it's likely an image or two would survive. So if it's totally black all over with no edge marking I think it's been exposed to light at the processing stage.
I said the same thing to myself, but if something WAY OUT of the ordinary was added to it, who knows. Like I said, I'm done trying to guess on the information we have been given.How does a developer per se do what Melvin has described?
Thanks
pentaxuser
I you used panchromatic film, remember it needs to be processed in total darkness. Any red or amber light in the darkroom will fog the film!
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