Took the plunge.....Ansco 8X10

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jmooney

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Joined
Sep 24, 2003
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642
Location
Morrisville,
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35mm
Well I've been going back and forth on getting into LF for a while now and I have scrapped the idea due to arthritis in my hands but I kept hearing the siren call so for better or worse here's the new woman in my life:


sept172.jpg



I threw in a low bid and I was the only bidder at $250. Anyone else shoot with one of these fine ladies and have any advice to offer?

Now off to collect the sundry accessories and grow an Ansel Adams style beard....

Jim
 

reellis67

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Joined
Mar 10, 2005
Messages
1,885
Location
Central Flor
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4x5 Format
Congrats! That seems like a good deal for the money. I use something similar, and the only advice I can offer is to keep in mind that this is not a car engine - it's made of wood, so please do not, as the previous owner of my wooden 4x5 did, tighten the knobs down until screws begin to pull out of the wood. I really enjoy both my 4x5 and 8x10 wooden field cameras and I certainly hope that you do as well. Oh! one last thing. Save up for lenses. I have two for my 8x10 and it took some time to save up for the second one. Lenses in this range go for a good bit more than for 4x5 so keep that in mind when you are considering where to spend your hard earned cash...

- Randy
 

Anscojohn

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Joined
Dec 31, 2006
Messages
2,704
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Medium Format
jmooney,
Bravo!. It looks like a gooder. Belows look sound. As 67 said, don't mess with it too much. On my 5x7, I took off the brass pieces which would come off EASILY and gave them a tender cleaning in an ultrasonic cleaner, then put them back. Also, on my 5x7, the trackss were a bit dirty, so I cleaned them with q tips and alcohol, then lubed them ever so slightly with a water based wax lube I bought at the bike shop.
And.......go Phillies.
 

Doug Webb

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Joined
Jul 10, 2005
Messages
105
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Large Format
Don't go overboard on cleaning or lubricating the front rise gears, if you do, the front standard won't stay up where you want it when you try to use front rise. Looks like you don't have the sliding tripod mount block, or maybe I just can't see it clearly. This helps when you are using a lens that places the center of the camera somewhere where the front and back tripod screws aren't. You have picked a fairly heavy camera to manage with arthritis in your hands. I say that because I also have a similar camera and some arthritis in my hands. I have the most difficulty with mine, in so far as the arthritis is concerned, in getting the camera mounted on a tripod without dropping it. Be careful about setting it up if there is wind, these cameras can catch a lot of wind particularly when the bellows is extended. Light leaks can occur around the lens board on some of these cameras. If you get light leaks, try taping all the way around the outside of the lens board with gaffer's tape, I ran into this but thought the leak was in the bellows, it wasn't. This is a great camera if you don't have to carry it too far, I usually set mine up within a few feet of my car. I bought some affordable lenses to start out with, a 240 convertible Schneider Symmar (something like a 35mm lens on a 35mm camera) and a 480 Nikkor process lens, a longer than normal lens for this format, and I rarely need much else, I sometimes use a 360 Nikkor. The last 2 lenses don't have shutters. I have never been able to manage an 8x10 shot in which I had everything in focus at less than f32 and often f64, so I end up with long exposure times and a working shutter isn't really that important (so a lens cap or Packard shutter can work fine). The front standard can be easily modified to permit front swing if you need that movement often. Your camera has front tilt which should come in handy at times, mine doesn't but if I have to I tild the camera a little and use the back tilt. Try setting the camera up in your front yard first to see if you have any light leaks before taking it out and trying some important work. If you got older wooden film holders with the camera, the chance that they are warped or have light leaks is farily high.
Good luck with this outfit.
Doug Webb
 

jford

Member
Joined
Feb 11, 2005
Messages
93
Location
Melbourne, A
Format
8x10 Format
I second all Doug's advice. The front rise on mine is more like front sink with a heavy lens on. Find the number of a good chiropracter. You might need one if you try to carry it more than 20 yards from the car. The bellows on mine had light leaks galore, so do the torch inside the camera in the darkroom trick to find the leaks. The bellows look old from this distance. It's a great starting-out-in-large-format camera. You paid less than I paid a few years ago for mine. Well done.

John.
 

reellis67

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Joined
Mar 10, 2005
Messages
1,885
Location
Central Flor
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4x5 Format
I've got a Turner-Reich triple convertible on my 8x10 Korona, and you guys are spot on with the front 'sink' - it can see more like front plummet with a honking big lens mounted. I find that the easiest way to deal with this is to slip my fingers under the front and apply a little upward pressure to take up the weight when making adjustments. That way the rise knob doesn't need to be held onto the entire time, allowing me far easier adjustments.

- Randy
 
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jmooney

jmooney

Member
Joined
Sep 24, 2003
Messages
642
Location
Morrisville,
Format
35mm
Thanks for all the great tips and info everyone. It must be my week because I just make a low ball Best Offer on a lens and the seller accepted. It's a Linhof selected Schneider Kreuznach Symmar 210/370mm convertible lens in a Prontor shutter. I figure it's a good place to start as it'll give me two focal lengths to try and from what I read the 370 configuration is great for portraits when opened up. Not bad for $200.00.

Take care,

Jim
 

Doug Webb

Member
Joined
Jul 10, 2005
Messages
105
Format
Large Format
Jim,
The 210 Symmar, if it covers 8x10 at all, will be really tight, so make sure you have the lens centered on the ground glass before you expose. You may be able to get away with the 210mm focal length if you focus in and stop way down. Just for laughs, I will tell you what I use to keep my front standard from sinking, its is a set of rubber toys for my dog, one of which is a rubber hamburger, it slips right under the standard and the combination of one or more of these usually holds the front standard right where I want it.
Doug Webb
 

John Kasaian

Member
Joined
Sep 24, 2002
Messages
1,021
Thanks for all the great tips and info everyone. It must be my week because I just make a low ball Best Offer on a lens and the seller accepted. It's a Linhof selected Schneider Kreuznach Symmar 210/370mm convertible lens in a Prontor shutter. I figure it's a good place to start as it'll give me two focal lengths to try and from what I read the 370 configuration is great for portraits when opened up. Not bad for $200.00.

Take care,

Jim

Great choice in lens and camera!:smile:
 
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