Hyperfocal for a 300 mm lens, even at f/16, will be far away. Building across the river is probably fine. Otherwise, a 300 mm on 6x6 is only 4x over the normal 75 mm, however; I don't know if you'd get what you want...
Maybe a Wollensak 15" Tele-Raptar?
Are you familiar with Andreas Feininger's long-focus lens work and his unique camera. Might give you some ideas:
View attachment 341484
I often find myself wanting to take photos of things I can't get too close to, such as abandoned buildings across a river, cranes far behind a fenceline, etc. I'm looking to make something like a 300mm equivalent of a Hasselblad SWC, or an Ermanox for you antique camera folks, though probably not with a Hasselblad quality lens. I prefer 6x6 because it seems to be the best bang for the buck at the moment. My goal is a good intersection of portability versus image quality. I want it to be light enough that I can keep it in my work bag without regretting it every day. Of course I don't want to break the bank either. If neither of those were a consideration I'd just lug my 500CM with a 150mm and a 2x. Hyperfocal is fine for my intended use, though I'd love the ability to focus, but not the additional weight. I'd be fine with an f/8 lens.
My first thoughts are:
[A] Using the body of an old 120, 6x6 folder with a bad bellows, or fungus'd out lens. Rip the lens, bellows and door/struts off, and mount a thin-wall PVC pipe with . . . the cheapest 300mm large format lens I can find? I think I might even have a 12" Commercial Ektar in my deep storage, though it might need a shutter CLA. It's also not very small or light.
Using a Graflock 22/23 back, and doing something similar. Though 6x9 is not my ideal format, they seem to be cheaper, and more readily available.
Just trying to bounce ideas off people before I start sketching things, or acquiring any new gear (I have far too much already, so a lot of this might be in my boxes somewhere anyway). I'd love a better quality lens, but all the MF lenses I can think of weigh as much as, or more than, the rest of the intended camera.
Are you familiar with Andreas Feininger's long-focus lens work and his unique camera. Might give you some ideas:
View attachment 341484
Have you thought about using a catadioptric scope of some type?
Coverage might be a problem for 6x6.
I don’t know about bang for buck. A cartridge of 135 Provia gives you super fine grain.
You might want to kill a darling or two and go 135.
Feininger describes his construction of the camera pictured in post #6 as two boxes that slide in side each other for focusing. They are lined with velvet to make them light tight. He seems most proud of the 'tripod' legs used for stabilization; the key to getting sharp images with a long focus camera. Similar to what the OP has described, he attached the back end of a camera to the box in order to hold the film.
Sunday on Coney Island, July 1949--40" lens
Are you going to use a tripod? Long focal length on distant subject, and relatively slow working aperture (to keep the lens small, to allow a bit of depth of field) suggest tripod. Once you go to a tripod, then does it makes sense to homebrew the camera for maximum lightness? When attempting to take pictures of faraway things, rigidity is very important. So it may not wind up much smaller / lighter than your Hasselblad + lens.
If you downscale the focal length a little to 250mm, then it may become easier because there are tessar-type LF lenses of 250mm or so that fit in a Copal #1 shutter or similar size (various 250mm lenses, 10" commercial Ektar, etc).
Hasselblad 250mm C lens
Hasselblad 500mm C lens
C lenses are much less expensive than the CF and later lenses plus each could be used with a 2X extender.
I haven't looked in a long time, but the 500mm always seemed super expensive
I got the 500mm C lens EX+ from KEH for a price that was not only so low that I could not pass it up [I was not looking for one] that I could not say no, but also so low that I will not post it.
There are (2) 500mm Hassy lenses on my local Craigslist right now for less than $500 ea.
Feininger describes his construction of the camera pictured in post #6 as two boxes that slide in side each other for focusing. They are lined with velvet to make them light tight. He seems most proud of the 'tripod' legs used for stabilization; the key to getting sharp images with a long focus camera. Similar to what the OP has described, he attached the back end of a camera to the box in order to hold the film.
Sunday on Coney Island, July 1949--40" lens
I got the 500mm C lens EX+ from KEH for a price that was not only so low that I could not pass it up [I was not looking for one] that I could not say no, but also so low that I will not post it.
Hah. I had to pause most of my film photography almost 10 years ago when I had a kid with major health problems. Coming back and seeing current Hassie prices is shocking.
These are some, probably earlier, iterations of the same idea:
View attachment 341506View attachment 341507
The main takeaway should be the “tripod”, originally a tripod with front legs.
You are not going to be shooting that long a lens without substantial support.
Especially not stopped down to a big DoF on Provia.
Good photography is hard, hard work. Physically and psychologically.
Especially hard because you can wander out a wrong vector for a long time without realizing it.
It’s not something you happen upon or do on your way to somewhere.
I’ve almost stopped bringing gear on social walks, because it’s always a pest for my companion and it almost never results in great shots. Only mediocrity.
Life’s to sort to wallow in and settle for mediocre.
Feininger as an example kept developing dramatically over his life.
Watch the wonderful interview from the fantastic BBC series Master Photographers. And read the last interview he gave on Archive.
That’s what any photographer should aspire to in their own way.
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