eli griggs
Member
I have a 1.4XE that I use on my 100 CFI, 180 CFI and 350 CF but only occasionally on the latter so the two lenses I am not interested in because of that are the 150mm and 250mm. I find on its own and with either B&W film or conversion to B&W from a D-back, the 350 CF holds up really well if you nail the focus which is truly critical. It can get color fringing in color images which is what the 350SA solves completely among other things.
I make a lot of mountain landscape images living where I do, so I really love the 350mm for that purpose and will likely budget for the 350SA next year. But either way, using a 350mm with a Flexbody helps quite a bit in merging different focal points in a scene.
One thing I got for my 350mm 5.6 CF is an aftermarket tripod collar to help balance it and take some of the stress off the lens mount. But that was several years ago and now they seem to have vanished. I suppose it is possible to adapt one from another lens by shimming it.
I've mentioned this before but this is a good reason to bring it up again.
While you could make a 3D printed yoke or carve one out of hardwood, to accept the camera mount screw on a monopod, a simple, plastic telescoping gun rest, with a built in rifle yoke is easy enough to carry as a large lens support.
After the tripod, camera and lens are set-up, position the yoke forward and vertical under the lens and drop the leg to the ground, with a firm, steady lock up of the sections so as to support the weight of the lens.
Edit; Here's one to view.
https://www.basspro.com/shop/en/bog...id=98efbf0542c519f5006cda045c2bf83b&gclsrc=ds
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