Film Noir
Member
- Joined
- Nov 4, 2014
- Messages
- 3
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Best film camera ever produced buy Nikon or anyone really, was the F3 and all it's variations especially the F3p Press. They made it to NASA specs and was made to take the worst abuse in the field, It was the standard and still is to this day really, many F3's are really to roll. The F3 was specifically made to work in unison with the MD-4 motor drive. it could shoot 6fps without locking up the mirror and rewind a 36 exposure cassette in about 8 seconds. It was designed for Space Shutter missions with the Big camera 270expoure back an the little camera with 72 exposure back for space walks. camera electronics were guaranteed to function for over 20 years and the electronics themselves had to have a parts supply for 20 years, unheard of even in 2017. The camera was kept in production from 1979-80 up until 2002, it even was sold the along side the F4 and F5. The shutter is lifetime! The best of the best. It was even the first digital camera go to the link.
https://nikonrumors.com/2014/04/16/...ic-stills-cameras-used-by-nasa-in-space.aspx/
So there you have it. Hey I own Leica's Nikon's and Hasselblad's. I've used them all professionally for over the years, If I had to pick a film camera to take with me on a film assignment, it would be the F3p (press) mounted to my MD-4 no questions asked. Canon never really made or came close to the level of durability and reliability as Nikon did since the introduction of the original F, The F and the Nikkor glass is what sealed the fate of rangefinders, especially when motor drives were introduced. Canon F1 was good but not the same seamless function with the drive. Back then Canon lenses FD mount were average. Nikkors were far better and made more lens types for professionals. The F2 was better still to the F-1, F2 was full mechanical with variable shutter speeds from 1/125 to 1/2000 of a second. that's why they are green on the shutter speed dial. So if you needed an exposure of lets say f 8 at 1/700 of a second, it would do it, you just set the shutter dial between 1/500 and 1/1000. Unheard of from Canon. Olympus, Leica, Contax etc. Competitors move to electronically controlled shutters, The Canon AE-1 and A-1 were Canons response to the F3,not even close in durability and the glass, Nikkors AiS ruled and still do. Sorry it to those who don't agree, the facts are the facts, sales are sales and The F3 was the standard professional film Slr from 1980 to 2000. It is in the history books.
https://nikonrumors.com/2014/04/16/...ic-stills-cameras-used-by-nasa-in-space.aspx/
So there you have it. Hey I own Leica's Nikon's and Hasselblad's. I've used them all professionally for over the years, If I had to pick a film camera to take with me on a film assignment, it would be the F3p (press) mounted to my MD-4 no questions asked. Canon never really made or came close to the level of durability and reliability as Nikon did since the introduction of the original F, The F and the Nikkor glass is what sealed the fate of rangefinders, especially when motor drives were introduced. Canon F1 was good but not the same seamless function with the drive. Back then Canon lenses FD mount were average. Nikkors were far better and made more lens types for professionals. The F2 was better still to the F-1, F2 was full mechanical with variable shutter speeds from 1/125 to 1/2000 of a second. that's why they are green on the shutter speed dial. So if you needed an exposure of lets say f 8 at 1/700 of a second, it would do it, you just set the shutter dial between 1/500 and 1/1000. Unheard of from Canon. Olympus, Leica, Contax etc. Competitors move to electronically controlled shutters, The Canon AE-1 and A-1 were Canons response to the F3,not even close in durability and the glass, Nikkors AiS ruled and still do. Sorry it to those who don't agree, the facts are the facts, sales are sales and The F3 was the standard professional film Slr from 1980 to 2000. It is in the history books.