Apropos of the Leica M7, I never understood the antipathy toward "automatic" cameras. I generally shoot aperture priority. I set the aperture, and watch the meter. If the indicated shutter speed is sufficient to avoid camera shake and/or stop the motion in the image, assuming I want to stop the motion in the image, I am good to go. Otherwise, I turn the aperture until the shutter speed is appropriate. Of course, I have to balance shutter speed with depth of field, so sometimes a compromise must be struck. What an automatic camera does for me is save me from the herculean task of turning the shutter speed dial when I am metering. Not a big deal, but in a fast developing situation it is maybe the difference between getting the shot and not. Most of the situations I photograph are slow developing or static, so it's not like I am going to miss a shot, but I am still able to avoid the herculean task of turning the shutter speed dial. Note that in all cases I am choosing what aperture and shutter speed I select, so it's not like I am some dolt who just presses the shutter button and let's the camera do the rest. AAs (anti-automatics) like to portray people who use automatic cameras as dolts. I don't see the authenticity and moral superiority of engaging in the herculean task of turning the shutter button when you meter. I will admit that AAs may have a more fully developed thumb and forefinger on their right hand, so there's that. If I want to be authentic and have moral superiority, I shoot 4x5, where I have to engage in the herculean task of turning both the aperture and the shutter speed dial. And it's not really all that herculean. What is herculean is carting the camera and tripod five miles out in the woods. And don't even get me started on Sunny 16. I will only say this: all practitioners of Sunny 16 were show-offs in math class when they were growing up, and they are not really all that concerned with getting the correct exposure.