Here is an invitation to others, to explain how a folding mechanism could accommodate different focal length lenses, presumably having differing back focal lengths. Thanks.
Here is an invitation to others, to explain how a folding mechanism could accommodate different focal length lenses, presumably having differing back focal lengths. Thanks.
Durst etc all made 6x9 enlargers. Plus 4x5 are so common.
Plus Fuji has made 6x9 cameras in the past so nothing new really.
Here is an invitation to others, to explain how a folding mechanism could accommodate different focal length lenses, presumably having differing back focal lengths. Thanks.
I long ago adopted the practice of making only 9 6x7 negatives per 120 roll. When loading, I place the paper arrow approximately 30mm shy of the camera's index mark. Then, after closing the back, I advance to frame 1 and trip the shutter with the cap on, i.e. create a blank "frame" (some of which might actually be on the paper). This accomplishes several things:...you cannot fit ten 6x7 negatives on a sheet of 8x10 paper to make contact prints. You can only fit 9, meaning there is always an orphan...
I agree on 6x8 as the format though. It amazes me that this one has not hit it big as it is the same almost as 645 which I find very pleasant. Less boxy than 6x7 and less elongated that 6x9/35mm. Perfectly balanced.
The Mamiya 711 has interchangeable lenses of superb quality, has a rigid body and is a 6x7.... what would be the purpose of a Fuji fixed lens 6x7, with a non-rigid foldup design?
The Mamiya 711 has interchangeable lenses of superb quality, has a rigid body and is a 6x7.... what would be the purpose of a Fuji fixed lens 6x7, with a non-rigid foldup design? I would stick with the Mamiya
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?