David
Thanks for the link. Makes me wonder what would happen if some of the leading modern photographers, whose images grace museums now, had to hang their work in subway stops instead.
I can imagine a Jeff Wall lightbox in an airport concourse next to all the other lightboxes advertising vacations, cell phones, and computers. NO ONE would notice.
Not that I think Jeff Wall's work can move people the way Joshua Bell can.
This is also the reason why some works which are promoted as great art are successful even when they are not great art.
I am often bewildered by the 'art' that is declared by those who display and sell it to be 'great', or at least, significant. I don't always think so. I've decided that the real reason such work attains that stature is that it's lineage is recognizable to those who assimilate such stuff, and those folks understand its genesis from the influences of its progenitors. Because it fulfills their expectations of what should/ought to evolve as a next step, they feel vindicated in their taste. VERY human, I suppose, but mysterious to me.
I have believed for some time that taste is something that people need to be told to have. If someone is a great musician/photographer who really will notice? I think that most people will need to be told how great something is before they can recognize it. This is also the reason why some works which are promoted as great art are successful even when they are not great art. I could go on and on about this, just from the things I have seen in my life, but I'll leave it at that.
Great story and beautiful music.
Patrick
I have believed for some time that taste is something that people need to be told to have. If someone is a great musician/photographer who really will notice? I think that most people will need to be told how great something is before they can recognize it. This is also the reason why some works which are promoted as great art are successful even when they are not great art. I could go on and on about this, just from the things I have seen in my life, but I'll leave it at that.
Great story and beautiful music.
Patrick
In the particular case of the violinist in the subway, I think the "test parameters" were not conducive to a meaningful result. If people are hurrying to work and in fear of being fired for lateness, they will not stop for anything, many others simply block out buskers, beggars and anyone else who may accost them in public places. This incident in no way proves that the majority of the public is Philistine, selfish and uncultured!
Agreed with the invalid test situation. The way to test it would have been to put him not in the entryway to the station, where people are exiting, but on a platform, where he has an already captive audience. Unfortunately, the DC Metro being Metro, that wouldn't ever happen. It has only been within the last few years that they have allowed performers OUTSIDE their stations.
...or did he just take his 40+ grand and chuckled about it.
There's almost no way you could make this a statistically meaningful study that couldn't be fundamentally challenged. I don't think a captive audience makes it more valid -- it just slightly alters the research question.
It would be interesting to see if one would get the same response if one had, for example, a talented vocalist singing a beautiful song. Or maybe even a talented saxophone player playing some classic (and reasonably accessible) Charlie Parker.
I am not convinced that the choice of music and instrument goes well with the choice of venue.
If the experiment had taken place in a public square, at lunch time, on a sunny day, I expect the result would have been quite different.
Matt
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