Why in some posts of this thread does there seem to be an underlying assumption that users of E6 don't project the fruits of their labours?
Well, for one, I have no way to project 4x5 and 8x10 transparencies.
Why in some posts of this thread does there seem to be an underlying assumption that users of E6 don't project the fruits of their labours?
Well, for one, I have no way to project 4x5 and 8x10 transparencies.
I bet those 8 x 10's look beautiful though!
Sure, I may sometimes scan slides for specific purposes such as magazine submissions, but that's a fudge and simply a convenient means to an end.
Why in some posts of this thread does there seem to be an underlying assumption that users of E6 don't project the fruits of their labours? Two posts mention this specifically. To me, the whole point of shooting slide film is to be able to enjoy the results at their best as they were originally intended to be shown. Sure, I may sometimes scan slides for specific purposes such as magazine submissions, but that's a fudge and simply a convenient means to an end.
Shoot, project and enjoy! (and then buy more film....)
Steve
Fuji is abandoning the market and Kodak is reentering the market.
Interesting comment, considering the discussion here with a Fuji representative yesterday who painted a very, very, very different picture of the outlook to the rampant conjecture here on APUG/Photrio. I will be seeing him again next Tuesday.
Interesting comment, considering the discussion here with a Fuji representative yesterday who painted a very, very, very different picture of the outlook to the rampant conjecture here on APUG/Photrio. I will be seeing him again next Tuesday.
Interesting comment, considering the discussion here with a Fuji representative yesterday who painted a very, very, very different picture of the outlook to the rampant conjecture here on APUG/Photrio. I will be seeing him again next Tuesday.
This warms my heart! Please keep us informed!
I wonder though, if HQ would tell their reps about a possible discontinuation of an entire business line.
Yeah, reps aren't really going to be a reliable source. If Fuji is planning to stay in the (non-instax) film business communication from up top would be nice
Several months (or was it a few years) ago there was "crap talk" about Fuji here on photrio, about FP100C being discontinued. I immediately rushed to my local brick&mortar photographic supplies store and raided their shelves. When the guy asked me why I would hoard FP100C, I told him about the rumors and he laughed at me "my supplier has not told me of any plans to discontinue FP100C!". Well, we know how that went. These Fuji sales reps may have a broader view of the market than most here have, but sometimes they are completely blind sided by their own company.And less crap talk here on APUG/Photrio wouldn't go astray either!![]()
Interesting comment, considering the discussion here with a Fuji representative yesterday who painted a very, very, very different picture of the outlook to the rampant conjecture here on APUG/Photrio. I will be seeing him again next Tuesday.
Several months (or was it a few years) ago there was "crap talk" about Fuji here on photrio, about FP100C being discontinued. I immediately rushed to my local brick&mortar photographic supplies store and raided their shelves. When the guy asked me why I would hoard FP100C, I told him about the rumors and he laughed at me "my supplier has not told me of any plans to discontinue FP100C!". Well, we know how that went. These Fuji sales reps may have a broader view of the market than most here have, but sometimes they are completely blind sided by their own company.
PS: hours after I raided the shelves for remaining FP100C stock, prices were marked up by 30% and last stock was gone within days even at those inflated prices.
I accept that Fuji doesn't care about me. I will cease caring about Fuji once they no longer make Provia 400X and Astia. Oops, scratch that! Ok, once they quit making FP100C and Acros. Oops again! Ok then, once they discontinue Velvia 100! What a beautiful film!Yep. Spot on. Fujifilm will mislead their customers with reckless abandon, and then finally in the end just abandon them. No matter how faithful a customer you were to Fujifilm, they simply do not care.
I accept that Fuji doesn't care about me. I will cease caring about Fuji once they no longer make Provia 400X and Astia. Oops, scratch that! Ok, once they quit making FP100C and Acros. Oops again! Ok then, once they discontinue Velvia 100! What a beautiful film!
You know, RattyMouse, we should really quit caring about Fuji, but we should also quit whining about their discontinued films and just enjoy the existing ones while they last (in my freezer at least).
I can not really look into their minds, but "Hey, if we discontinue Velvia 100 they'll all buy our digital cameras - we'll make billions, maybe even millions!" is probably not what they think right now ... at least I hope not.Fuji DOES "care" .... they prove that by designing and selling fabulous digital cameras. They're into photography, not antiquity.
I really liked the Fuji X-PRO2 and the cameras before that, and I'm thankful for having owned them. While the X-PRO2 and the size of some of its predecessors indicated a clear idea of what they thought and uniquely so, they veered off the path when it came to lenses. Many do.
I found many just didn't work for me, and abandoned the whole line shortly after discovering Contax CY mounted Zeiss were sweet on the frame. Picked up a Sony and dropped Fuji for good. No regrets. Don't think Fuji's been all that profitable in its photography period, but haven't checked in some time. Sony's made a better "go" of it, and seems to have a vice like grip on the digital industry. Frankly, I subsequently fell down the film rathole again... and so one thing leads to another. Will it run in a circle? Sure hope not any time soon, but you never know. Wouldn't you love to compare the value-at-risk and profit of Ilford and Fuji? It's a fair equation. The cost of R&D in these digital puppies is enormous. Are they companies covering it? or is it (like it may be) a loss leader claim to a technical competency that wins kudos and enables some measure of sales in the companies other more profitable lines? Curious, but loss leaders are out there... everywhere.
I really liked the Fuji X-PRO2 and the cameras before that, and I'm thankful for having owned them. While the X-PRO2 and the size of some of its predecessors indicated a clear idea of what they thought and uniquely so, they veered off the path when it came to lenses. Many do.
I found many just didn't work for me, and abandoned the whole line shortly after discovering Contax CY mounted Zeiss were sweet on the frame. Picked up a Sony and dropped Fuji for good. No regrets. Don't think Fuji's been all that profitable in its photography period, but haven't checked in some time. Sony's made a better "go" of it, and seems to have a vice like grip on the digital industry. Frankly, I subsequently fell down the film rathole again... and so one thing leads to another. Will it run in a circle? Sure hope not any time soon, but you never know. Wouldn't you love to compare the value-at-risk and profit of Ilford and Fuji? It's a fair equation. The cost of R&D in these digital puppies is enormous. Are they companies covering it? or is it (like it may be) a loss leader claim to a technical competency that wins kudos and enables some measure of sales in the companies other more profitable lines? Curious, but loss leaders are out there... everywhere.
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