Yeah, I knew you were going to bring that one up at some point
But that’s the thing. Kodak Aerocolor IV is neither off brand, nor expired. It is fresh Kodak film so your fears are allayed!$3.40 can be a lot of money and it adds up if you shoot a lot. But for me, for one thing, I don't shoot much.
The other issues, for me, are that it's not just the cost of film. I spend $3-$4 for a gallon of gas, I could be out driving all day getting shots, or in a place I'm not returning too or with lighting that won't repeat itself. I have one chance to get it right. How much is that worth? If I shoot for example expired film or an off brand, will the results be worth it because these other things add to the cost. What about the processing fees or chemical cost if you do develop yourself? If the pictures don't come out right, you've lost not only the cost of the film, but these other expenses, as well as your time. Reliability and consistency are important?
By the way, that's a nice shot. The colors are very quiet and warm.
But it is Aero Film. Not really intened for stills. Thin base with the posiblity of Light piping. May be slit and perforated by someone other than Kodak. Not in Kodak cassettes. No orange mask so likly some colour errors. Posible IR sensitivity so colours may not be 100% right. (have not seen that one but Areo film often wants to have some iR to cut the haze.)But that’s the thing. Kodak Aerocolor IV is neither off brand, nor expired. It is fresh Kodak film so your fears are allayed!
...so let's compare the costs especially if you only bought the tickets to shoot the fly over :Compare that to the cost of the top of the line Nikon or Canon DSLR or the cost of skiing. Ever buy a Super Bowl ticket?
When my local brick & mortar shop, a small business without any buying power, got their most recent Color Plus in stock in January 2023 they were selling at £10 per film, which is the highest I've ever seen it here in the UK actually in stock anywhere.
I know it's currently out of stock but AW have it at £8.50 for 24 exp, £10 for 36.
Ag Photo are listing it at £6.99
Boots at £9
Process Supplies £6
Bristol Cameras £9
I know they're not all currently in stock but it sounds more like B&H are gouging than Kodak.
And those prices include 20% VAT
The question I often asked myself is the folowing :
have the films become so expensive because the sales
figures have dropped extremely, or have the sales figures fallen extremely because the films have become so expensive?
Or is it, as is so often the case, an unprecedented management failure for that fundamentally others are
paying the price?
In other words with regard to their RA4 developers and RA4 paper and C41 we are still largely stuffed!
I've no problem with today's pricing because I started buying my stuff for the next 25 years in April 2004!I get it though. High prices are annoying and frustrating, and one way to deal with that is to talk about it online. In that sense, a thread like this one serves a purpose. It's also cheaper than a psychiatrist. Or buying film.
Yes I know, and this Kodacolor was the best selling film ever!At its peak, Kodak was manufacturing upwards of 70 master stock rolls a day of Kodacolor…each and every day – enough to make nearly 3.4 million spools each day.
Fuji is pumping out both chemistry and paper. And prices are ridiculously low given the complexity of the product.
Remember, there are environmental restrictions that weren’t in place when film production was at its peak. Chemicals, dyes and many other materials are now considered too toxic leaving the manufacturers looking for replacements.
No orange mask so likly some colour errors
There is no business school necessary to understand that
However he does make a reasonable point in a humorous way. I have stopped following colour neg prices but as a result of Agulliver's post I checked on his list and the prices quoted are for out of stock film
Yes he does mention this but the way things are, do they favour replacement at those prices? I have no confidence that this will be the case with the cheapest of Kodak stock. It does seem that more of the expensive film such as Portra is available
Is this because it isn't selling in the same way due to its price or is Kodak concentrating on its production and now meeting demand more easily? I don't know
As far as ColorPlus is concerned, if its supply is less, given the likely demand, it isn't surprising that retailers are rationing on price. Charge more to ensure that those with the greater desire pay more and get what they want.
So unless there is an imminent increase in supply in ColorPlus then the odds favour the retailers charging more once it is back in stock
It's all very depressing
pentaxuser
Both parties have to agree on a price. First, a manufacturer has to cover their costs and then make a profit to stay in business. If their prices are too high becasue no one can afford it anymore or there aren't enough buyers willing to pay the price to cover the product, then they stop producing it. They can't sell it at a loss. This might be why we're seeing certain films being dropped, like Velvia 50 in 4x5 which really upsets me. My last purchase was directly from Japan and I paid around $160 for 20 sheets. That's nuts! I have it squirreled away in the freezer. I expect it to increase in price more than gold.The question I often asked myself is the folowing :
have the films become so expensive because the sales
figures have dropped extremely, or have the sales figures fallen extremely because the films have become so expensive?
But now the new question arises for me : when the sales figures have finally increased again, and they definitely are,
with the result that prices are now going
up extremely...... ...?
Doesn't the logic of the observed exaggerated pricing policy, you may also call this " crazy market phenomenon " , mean
that the sales figures only have to fall again so that the
exessive film prices fall into the abyss??
Not really - we all have a inkling that the pricing will then
continue to rise....!
Is it really the case that the required raw materials are extremely difficult to obtain and, bye the way, have meanwhile increased by a factor of 20???
Or is it, as is so often the case, an unprecedented management failure for that fundamentally others are
paying the price?
...
one actually have for whatever?
Notice : In a market economy, it is not the seller who dictates the price but the other way around : the price is determined by the consumer.
You should never forget this folks !
...have a nice time!
What is your take over the caution over chemicals and dyes being a little bit overstated. When was the last time you heard of anyone being seriously affected? I don't have a wide knowledge on of anyone being seriously affected by the chemical makeup of the developers/bleaches?
Velvia 100 has been discontinued because of some chemical in it found toxic by the American government. Velvia 50 is still OK.
On the subject of film the situation seems to be a little better. Yes it has gone up in price but for FUJI 200 it is still around 2.5 times what we paid before this mad scramble started. I have found a reasonably reliable supplier of Fuji film (It limits each sale to 5 boxes at a time) but on the box it names it as Fuji 200 NOT Fuji C200.
There is a story going round that it is actually re-boxed Kodak 200 film, but there is no external proof of this. I have 10 boxes but have not developed any at the moment so cannot see any edge markings. All the writing on the box has no mention of Kodak or where it is made.
From what I understand, current film prices are not so different, adjusted for inflation, as they were 30-50 years ago. 50 years ago I allowed those prices prevent me from taking up photography as a hobby until the crash came just around 2004. I will not let that happen again.
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