So Aristophanes, do you have a record of these write-downs we can analyze? I see they wrote-down $627MM in goodwill (imaginary money) early this year. What else have they done in the past five years or so.
With all due respect PE, there are no "film profits" at EK. That division has lost money every Q for almost a decade now. When the losses narrow, it is because of asset sales, which are then patriated to the mothership to fund areas of potential growth. That growth is not in analog for the same reason there are almost no film cameras still in manufacture on an industrial scale. The legacy costs of film manufacturing are still evident in the pensions (deferred earnings).
No matter how one measures it, the balance sheets show continuous declining revenues with liabilities still exceeding assets. Even if all non vested pension/medical obligations are wiped by Ch. 11, EK film still bleeds red ink. It's hard to operate and amortize a major industrial system part-time.
The fact that the film dividsion has made a profit, and the fact that the profit has been rolled over to digital has been discussed ad nauseum on APUG in several threads with references to the WST and to Kodak annual reports.
So Aristophanes, do you have a record of these write-downs we can analyze? I see they wrote-down $627MM in goodwill (imaginary money) early this year. What else have they done in the past five years or so.
So does anyone know of a good equivalent in Fuji (or something else, I suppose) to Kodak's Ektar?
I am still a big fan of reala, which available in 120 size.
It's imaginary to the creditors because they are never going to see it.
All these past bad decisions and sunk costs; debt, pension obligations, etc. are irrelevant if somebody can can take the assets for nothing and make film profitably. That is all I am interested in.
Here then are my takes on your post..
I would thing this would be a big bonus for Ilford.
How much more can demand really fall? I mean, I saw one person shooting film in the past 12 months and thousands shooting digital. Anyone in the US, Europe, or Japan that is shooting film now is likely to continue doing so. I don't know about Hollywood, maybe that could fall much further yet.

Kodak is seeing huge drops due to the economy, the shift to digital and the shift of loyal customers to Ilford and Fuji. This latter has been due to the clumsy management of the analog sales and distribution system! It is a confusing mess.
Today, it got worse: http://www.bloomberg.com/news/2012-...s-with-citigroup-on-bankruptcy-financing.html
So, things continue their downward spiral.
PE
Just a real shame. I've always been a Kodak fan and supporter. One would be hard pressed to find better products of such consistent quality. Just a shame.![]()

I would thing this would be a big bonus for Illford. Will we have film and paper to use. That is all I want
I wouldn't be so sure. It could also put a negative spin on the whole film and accelerate the exodus.
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