Ironically I had a can of that and decided the money was better spent on sheet film so I sold it and bought 2-3 boxes of ilford sheet film
Well, if you ignore the price, they did make portra 160 in 70mm: http://www.ebay.com.au/itm/Kodak-Po...7551711?pt=US_Camera_Film&hash=item4181065b5f
I remember Smellovision. Don't recall what movie though.
Alright, does anyone know what Rocky I was shot on?
Alright, does anyone know what Rocky I was shot on?
There was a series on television called Dobbie Gilles (s.p.) in one episode his buddy,( Maynard G. Crebbs) finds a bottle of musk oak scent that makes him irresistible to women, is then starred in a movie that is a complete failure due to the fact the film did not have the musk oak scent. At the end of the episode he ask if their is such a thing as Smell-a-vision, years ahead of Reggie Vision.I remember Smellovision. Don't recall what movie though.
I remember Smellovision. Don't recall what movie though.
There was a series on television called Dobbie Gilles (s.p.) in one episode his buddy,( Maynard G. Crebbs) finds a bottle of musk oak scent that makes him irresistible to women, is then starred in a movie that is a complete failure due to the fact the film did not have the musk oak scent. At the end of the episode he ask if their is such a thing as Smell-a-vision, years ahead of Reggie Vision.
Mike
It doesn't say much...
http://www.imdb.com/title/tt0075148/technical?ref_=tt_ql_dt_7
See I learned how to do it myself now!
A 70mm blow up from a 35mm camera original will reduce the quality loss from the generations of dupes required to get a projection print, hence a higher quality final projection experience.
Couple of things, Cinerama was originally a 3 camera, 3 projector process. It later became an single projector 70mm system employing anamorphic lenses for both shooting and projection...
Interestingly enough, I made the blue case that Paul Newman carried in the movie and donated over 50 cues to be used in the movie.
Snip
65mm is a camera origination format, 70mm is a projection format. The perfs are in the same position but the projection print is 5mm wider for the sound tracks on either side outside the perfs.
Stone, it's your thread and I haven't read all your posts in it. But I haven't read much of the others either. But the thread's existence has gone a long way to cause a circuit closure of fact tidbits already in my brain, concerning how and why the movie industry chooses their filmstocks they shoot on and how it is reproduced for distribution.
What the!!! That's awesome!!
How much would it cost for you to make a duplicate for me (I have the cue already).
That would be really cool! You're a props master or arts department?
Are you in NY or LA?
I'm a cuemaker. Those box cases are a thing of the past. I stripped the covering off and replaced it with blue velveteen.. My cues are Schon Cues.
Cool. Thanks for your contribution to the art, eclarke!
I'm a cuemaker. Those box cases are a thing of the past. I stripped the covering off and replaced it with blue velveteen.. My cues are Schon Cues.
same here!
evan, you have to be one of the humblest person i have met here in cyber space.
you suggesting you are a cuemaker as a matter of factly and all that
would be like if paul newman was on a photography forum (with people who didn't know who he was)
suggesting he is just an actor
john
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